2 8 time
The ultimate beginner's guide to time signatures in music-Skoove
Table of Contents
Time signatures are one of the most important indications in notated music. We use them to help organize and measure music. They help us divide music into phrases and make it easier to memorize and understand more complex passages and songs. Without them, measures in notated music would run on forever, much like a sentence without any sort of punctuation.
But, how do we understand time signatures? What exactly do they tell us? How many different types of time signatures are there? Read on to learn more about the important functions of time signatures!
Key Takeaways
- The time signature indicates how many counts are in each measure and which type of note will receive one count.
- The top number is commonly 2, 3, 4, or 6.
- The bottom number is either 4 or 8.
- Simple time signatures divide music into groups of 2 and compound divide music into groups of 3.
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What is a time signature?Time signatures are what give a song its beat. The term “Four on the Floor” refers to dance music that will always be in 4/4 – four beats per measure because that’s the best beat to dance to.
But there are many other types that are worth discovering because they can create the most interesting beat.
In case you’re not sure what it is, it’s found at the beginning of all pieces of printed music just after the clef and the key signature. See the two 4’s stacked on top of another below?
How to read a time signatureTime signatures consist of two elements: a top number and a bottom number. The top number tells us the number of beats in each measure. The bottom number in time signature tells you what note values those beats are. If the bottom number is a 4, it means the beats are quarter notes (four quarter notes in a measure). If the bottom number is 2, it means the note value is half notes(half notes per measure). And if the bottom number is an 8, it means the beats are 8th notes.
Here is a quick cheat sheet:
Bottom number | Note value |
2 | Half beats |
4 | Quarter beats |
8 | Eighth beats |
- 4/4 means there are 4 beats in each measure and a quarter note receives one count.
- 2/4 means there are 2 beats in each measure and a quarter note receives one count.
- 2/2 means there are 2 beats in each measure and a half note receives one count.
- 6/8 means there are 6 beats in each measure and an eighth note receives one count.
Within each of these, the beats can still be broken down into faster notes. However, the printed music will always respect the basic beats, grouping faster notes together into the main beats.
Common time signatures
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Now we explore some common time signatures. There are two types of time signatures: simple and compound. We will explore both.
4/4 time signatureThe most common is 4/4:
In a 4/4 time signature, there are four beats per measure and the quarter note receives one beat. A whole note takes up one entire measure in 4/4 time. There are 8, eighth notes in 4/4 time. Most of the songs with basic piano chords that you can learn with Skoove will be in a 4/4.
“C” time signature
In fact, a 4/4 time signature is so common that it is often abbreviated at the start of a piece of music to a large C. This C stands for common time:
2/2 time signature2/2, also known as “cut time” is also very common and it’s literally 4/4 cut in half. Each measure consists of two half notes. It sounds almost the same as 4/4 except it has a stronger accent on the 3rd beat of each measure (the second half note).
Cut time also has an abbreviation that looks like the common time symbol, but with a vertical line cutting through it:
2/4 time signature2/4 is also a very common often used for marches:
In a 2/4 time signature, there are two beats per bar and a quarter note receives one count.
3/4 time signature3/4 is the most used after 4/4 and 2/4. With three beats per measure, it creates a lilting waltz time that was made hugely popular in Vienna by the great Johann Strauss II during the 19th century.
“Valse d’Amelie” is a beautiful waltz with a sad feel to it. Learn it right now on Skoove
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3/8 is very like 3/4 except it’s written with three 8th notes per measure instead of three quarter notes each measure. Fur Elise by Ludwig van Beethoven is written in 3/8.
Learn to play “Fur Elise” – the beautiful and timeless masterpiece with Skoove.
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Irregular time signatures – 5/4, 7/4 & 7/8Irregular or odd time signatures are the ones that can not be evenly divided into groups of two or three like time signatures with 2, 3, 4, or 6 as the top number.
5/4 time signature5/4 is the most used “irregular”. 5/4 can be very attention-grabbing because it doesn’t fit neatly into an easy to understand rhythm as it feels “off-kilter”.
It’s usually counted in a group of three quarter notes followed by a group of two, but sometimes you’ll find it counted in the reverse: 2 then 3.
Here are two measures in 5/4 time. In the first one, you can see there are five quarter beats, so the notes are evenly spaced. However, in the second measure the first two quarter beats are broken into four 8th notes and the 2nd and 3rd are tied.
This second measure is a very common rhythm used in 5/4 and you’ll hear it in the jazz song “Take Five”.
Written by composer Paul Desmond, the song was made famous by pianist Dave Brubeck when his jazz band’s single became a surprise hit in 1961.
But 5/4 was used long before this. Gustav Holst used 5/4 to create the opening of his masterpiece, “The Planets”, written between 1914-16. He created dramatically cinematic music in “Mars – the bringer of war” which became the “sound” associated with space when it was eventually depicted in movies years later. It’s still played a lot in concerts and used in many TV shows and documentaries. See if you can count five beats per measure while you’re listening.
Another very famous piece of music in 5/4 is the theme from the TV and film series Mission Impossible (written by Lalo Schifrin). In this great live rendition the conductor talks about how to count the time in a very entertaining way.
7/4 and 7/8 time signatures7/4 and 7/8 are used quite a lot and can be counted in different ways. Most often, they are counted with a group of four beats followed by a group of three beats.
You could get the same effect by writing a measure of 4/4 followed by a measure of 3/4, but it is easier for a musician reading the music notation if the time signature changes as little as possible.
Have a listen to Broken Social Scene’s song “7/4 (Shoreline)”. More famously, Pink Floyd’s “Money” is in 7/4.
All the time signatures we’ve looked at so far are called “simple” because each it can be divided into two equal sections.
But there is another type called “compound”. Compound are divided into groups of three. They consist of 8th notes grouped in threes – (so the bottom number will be an 8).
6/8 time signatureThe most common compound time is 6/8. In 6/8 time, there are six eighth notes in a measure and the eighth note receives one count. Generally, 6/8 time is divided into two groups of three eighth notes. Here is the opening of the “Game of Thrones” theme tune in 6/8 time:
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9/8 time signature9/8 is made up of three groups of three eighth notes. There are 9 beats in a measure and an eighth note receives one beat. Here is the famous opening of Bach’s “Chorale” from Cantata No 147:
Dave Brubeck’s Blue Ronda A la Turk is an unusual take on the 9/8.
12/8 is made up of four groups of three eighth notes.
It’s worth mentioning that a piece in a compound time could also be written in a simple time using triplets to form the groups of three.
Beethoven wrote the opening of the Moonlight Sonata (op. 27 No 2 in C# minor) in cut time using triplets throughout:
If we rewrite these measures in 12/8, it will sound exactly the same:
You can learn to play this right now with Skoove:
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Another great song that’s in 12/8 is “Perfect” by Ed Sheeran.
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3/8 time signature3/8 is very similar to 3/4 except that it is written with three 8th notes per measure instead of three quarter notes each measure.
Fur Elise by Ludwig van Beethoven is written in 3/8. Learn to play “Fur Elise” – the beautiful and timeless masterpiece with Skoove.
Although it’s the same as 3/4 in essence, you might assume that the piece will be played a bit faster in 3/8. But always be guided by any instructions at the beginning of the piano sheet music, such as “Moderato” (meaning moderate speed) or “Presto” (meaning fast).
Odd time signaturesA composer can make a choice when it comes to time signatures – as you can see, there is more than one way to write a piece of music to convey the sound you want.
There are pieces of music written in much more adventurous time signatures. For instance, the gaming music “The Legend of Zelda: Ocarina of Time – Ganandorf’s Battle Theme” was written in a 23/16. This means there are 23 beats per measure and the sixteenth note receives one beat!
A composer can create whatever time signature they need. However, the person who is going to be reading and interpreting the music notation should be considered and clarity should be the aim.
“Praeludium 15 in G major” by J. S. Bach is written with a different time signature for each hand. Namely, 24/16 for the right hand and common time for the left.
Changing time signaturesA piece of music doesn’t have to stay in the same time signature the whole time, it can move as freely as the composer wishes from one to another as many times as they want. Many songs and classical pieces do this.
A great example of a piece of music that changes time signatures a lot is “Short Ride in a Fast Machine” by John Adams. If you’ve never read an orchestral score before, you may find this very interesting. You only read across each page once as everything on the page is happening at the same time.
Notice that the first one is 3/2. This means there are three beats per measure and the half note receives one beat.
It changes often in this piece. Within each time signature, listen out for more complex rhythms within the measures that make it sound like the time signature has changed again, when it hasn’t.
If you feel like you’ve been on a roller coaster by the end, the composer has achieved his goal!
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Author of this blog post:
Eddie Bond is a multi-instrumentalist performer, composer, and music instructor currently based in Seattle, Washington USA. He has performed extensively in the US, Canada, Argentina, and China, released over 40 albums, and has over a decade experience working with music students of all ages and ability levels.
Time Signatures and Meters Explained: A Complete Guide
Time signatures set out the rhythmic pattern that a piece of music is played within. Whether it’s a waltz in 3/4, a sonata in 4/4, or Pink Floyd’s ‘Money’ in 7/4, everyone can hear these differences. However, it’s one thing to tap along to your favourite tune, and another to understand how time signatures actually work. Lucky for you, we’re here to help you make sense of what time signatures are and how they’re used.
Quick Links- Types of Time Signature
- Simple Time Signatures:
- 4/4 | 2/2 | 3/4 | 2/4 | 3/2 | 4/2 | 2/8 | 3/8 | 4/8 |
- Compound Time Signatures:
- 6/8 | 9/8 | 12/8 | 6/4 | 9/4 | 12/4 | 6/16 | 9/16 |
- Irregular time Signatures:
- 5/4 | 7/4 | 5/8 | 7/8
- FAQs
What are Time Signatures in Music?
Time signatures, or meters set the rhythmic foundation of a piece of music. They let the player know how many beats are in each bar (or measure). They also tell the player how long the beats are: should we be counting in minims, crotchets or quavers.
Meter or Time Signature?
A quick note vocabulary. You might have heard the word ‘meter’ and the phrase ‘time signature’ used before. Remember that these words mean exactly the same thing. ‘Meter’ is the American term and ‘time signature’ is the European term.
How do Time Signatures Works?
Example of music using a 4/4 time signaturesTime Signatures appear at the start of the music, after the clef and before the key signature. As you can see from the image above, they have two numbers.
What do the numbers mean?
The Top Number
This tells the player how many beats there are in each bar. In the below example of 4/4, there are 4 beats per measure and each of these beats is a quarter note beat (4 crotchet notes per bar).
Top number in time signaturesThe Bottom Number
This tells you what type of notes we are using as our beats. Take a look below and you can see what each note stands for. In our example below this would mean that we have 2 crochet beats, or 2 quarter note beats.
You could think of the whole time signature as a fraction, for example in 4/4 time we have 4 quarters, or 4 quarter notes per measure.
If you are using European terms it is important not to think of time signatures as fractions. We must remember that each bottom stand for a different type of note: 4 at the bottom mean crotchets, 2 at the means minims and so on..
Types of Time Signature
There are quite a few different time signatures so we need some way to organise them. This makes it easier to notice the similarities and differences. There are two handy ways to group signatures: by the number of strong beats or by how the strong beats are split up.
Duple/Triple/Quadruple
Duple, Triple and Quadruple refer to how many strong beats there are in a bar. Duple meters have 2 strong beats, triple have 3 and quadruple have 4. Make sure you are familiar with the idea of strong beats before continuing!
Below is a table to show you which time signatures fall into these categories. Remember that all bars (or measures) in duple time signatures will be counted as 1…..2……1…….2. Similarly, all triple time signature bars will be counted in threes. This is because of the number of strong beats.
Simple/Compound/Irregular
Another way to help use categorise time signatures are by how the beats can be divided or grouped. This is where we get the terms simple, compound and irregular.
Below you can see the most common time signatures grouped into simple, compound and irregular time signatures.
What do these terms mean?
- A simple time signature has strong beats that divide into two.
- A compound time signature has strong beats that divide into three.
- An irregular time signature has a mixture of strong beats, some that divide into two, and some that divide into three.
What is a strong beat?
A strong beat are the name given to the beats that you count a time signature in. For example, in 4/4 we would count 1…2…3…4 and so on.
4/4 with strong beats labelledIn 6/8 time we would count 1…and…a….2….and….a (and so on). This is because 6/8 has two strong beats which are both dotted quarter notes. So the 6 eighth notes are grouped into two groups of 3.
6/8 with strong beats labelledIt is important to realise that each time signature has a specific way to count in it. How this happens determines the ‘feel’ of that time signature and the piece of music.
Many students find the idea of strong beats quite tricky so we have a dedicated article on the topic.
Simple Time Signatures
Simple time signatures have strong beats that divide into two. For example the time signature 4/4 has four strong beats per measure (or bar). These are crotchet beats and can be divided into two quavers each . (Alternatively, you can say there are four quarter-note beats, which can each be divided into two eighth notes. )
A detailed explanation of the difference between simple and compound time signatures can be found here.
4/4 Time
4/4 time has 4 quarter note beats in each measure (or 4 crotchet beats per bar). We count this time signature using the 4 quarter notes: 1…2…3…4 and so on. Even though we count all four beats, there is often an emphasis on beat 1 and 3. You can hear this when the drums kick on on ‘Sweet Child o’ Mine’ with the bass drum on beat 1 and the snare drum on beat 3.
4/4 is a simple time signature as each of the quarter note beats will divide into 2 eighth notes.
Sweet child o’ mine – Guns N’ Roses
Common Time
A ‘C’ at the start of a piece of music has become short hand for a 4/4 time signature. There are historical reasons for this why this has happened. If you want to know more check out our 4/4 time post.
2/2 time
A 2/2 time signature has two half note beats per measure (or two minim notes per bar). This can often be confused with a 4/4 time signature so check out our dedicated article on this.
2/2 is a simple time signature as each of the half note beats will divide into two quarter notes. (Each of the minim beats will divide into two crotchets).
Half Common Time
Half Common time shown with a ‘C’ with a line through it and is also sometimes called cut common time. This symbol has become shorthand for a 2/2 time signature which has two half notes per measure (or two minim beats per bar).
3/4 Time
3/4 time has 3 quarter note beats per measure (or three crotchet beats per bar). We count a piece in this time signatures as 1…2…3…1….2…3. Music in 3/4 has a waltz-like feel to it and the waltz is probably the most famous example of a piece of music in 3/4.
This is a simple time signature as each of the quarter notes divide into two eight notes. (Each of the crotchet beats divides into two quavers). Check out the example waltz by Dmitri Shostakovich below.
2/4 time
2/4 time has 2 quarter note beats per measure (or tow crotchet beats per bar). We count a piece in this time signatures as 1…2….1…2. Music often has a march-like feel to it and there is an emphasis on the first beats each measure. This is a simple time signature as each of the quarter note divides into two eight notes. (Each of the crotchet beats divides into two quavers).
The traditional sea shanty ‘what shall we do with the drunken sailor’ is a great example of a piece in 2/4 time. In this song you can really hear the 1,2 beats (and not the 1,2,3,4 of 4/4 time).
3/2 time
Pieces in 3/2 have three half notes per measure (or three minims per bar). We count this time signature as 1…2…3….1…2…3 with three beats per measure. 3/2 has a slower feel than 3/4 as the beats are longer, although we could speed a piece in 3/2 up and it would sound like it is in 3/4. More on this in our 3/2 article.
Handel’s ‘Allegro Maestoso’, which is part of his Water Music Suite, written in 3/2. It has a flowing feel to it, with stretched out by the half note beats in each measure.
4/2 time
Piece in 4/2 time will have 4 half note beats per measure (or 4 minim beats per bar). We would count music in this time signature as 1…2…3…4 in each measure (the same as 4/4).
4/2 is a simple time signature as each half note beat can dividing into two quarter notes. It is also a quadruple time signature are it has 4 strong beats per measure.
2/8 time
2/8 has 2 eighth note
Chopin – Prelude in C Op.28 No.1 : This prelude by Chopin showcases the 2/8 time signature. Notice how the bass clef starts with a triplet (three notes in the space of two), which is worth 2 sixteenth notes or 1 eighth note. This is followed by an eighth note rest, making 2 eighth notes per bar.
3/8 time
3/8 time contains three eighth notes per measure (or 3 quavers per bar). It has three strong beats making it a triple time signature. Each eighth note beat can be divided into 2 sixteenth notes, so this is a simple time signature too.
Pieces in 3/8 include Mozart’s ‘Un Aura Amorosa’ from Cosi Fan Tutte. You can count this the same way you could 3/4: one…two….three….one….two….three.
4/8 time
4/8 time has 4 eighth note beats per measure (or 4 quaver beats per bar). A piece in 4/8 would be counted as 1…2….3….4. As there are four strong beats, this is a quadruple time signature. Each eighth note beat can be divided into two sixteenth notes so this is a simple time signatures. another way to say this is that each quaver beat can be divided into 2 semiquavers.
You may be wondering what is the difference between 4/8 and 4/4 if they are counted the same. See our in-depth article on 4/8 for more on this.
Here is an example bar in 4/8. See how each measure can be grouped into 4 eighth notes.
Compound Time Signatures
Compound time signatures have strong beats that divide into three. They are often counted as 1…and…a….2…..and…a in order to show how each beat splits into three.
6/8 time
6/8 has six eighth notes per measure (or 6 quavers per bar). These eighth notes are grouped into two groups of three. Because of this, each measure has two strong beats, each one being worth 1 dotted quarter note (1 dotted crotchet).
We would count 6/8 time as 1..and…a…2…and….a.
Metallica – nothing else matters is in 6/8 time. You can here the pendulum-type motion that this time signature has.
9/8 time
9/8 has 9 eighth notes per measure (or 9 quarter notes per bar). These notes are grouped into 3 groups of three, with each of these strong beats being worth 1 dotted quarter note (1 dotted crotchet). With each of the strong beats dividing into three, this is a compound time signature.
‘Scatterbrain’ by Jeff Beck contains multiple sections in 9/8. Listen closely as the guitar starts and you’ll hear the three strong beats, each one is divided into 6 sixteenth notes to make this riff.
12/8 time
12/8 contains 12 eighth notes per measure (or 12 quaver nots per bar). These are grouped into 4 strong beats which are dotted quarter notes (dotted crotchets). As each strong beat divides into three, this is a compound time signatures. There are 4 strong beats per measure so this is a quadruple time signature.
Hold the line by Toto is in 12/8 time. You can see how the piano part is grouped into the strong beats.
Why not use two bars of 6/8 or 12/8? See are in-depth article on 12/8 to find out.
6/4 time
6/4 time has 6 quarter notes per measure (or 6 crotchet notes per bar). These notes are grouped into two strong beats and each strong beat is worth 1 dotted quarter note (1 dotted minim).
Dam the River – Alice in Chains uses a 6/4 time signatures. The main riff is in eighth notes, each pair is worth a quarter note, or one beat in each measure.
9/4 time
9/4 time has 9 quarter notes beats in each measure. These beats are grouped into three groups of three, making each strong beats worth one dotted half note (or one dotted minim).
“Fugue” by Wheel is completely in 9/4, although it is hard to tell until the song gets going!
12/4 time
The number of beats per measure determines whether a time signature is duple, triple or quadruple. As 12/4 has four strong beats per measure, it is a quadruple time signature. Each strong beat consists of three quarter notes, which makes one dotted half note. Alternatively you can say that each strong beat splits into three crotchets, which makes one dotted minim.
6/16 time
6/16 time consists of six sixteenth notes per measure (or 6 semiquavers per bar). These are grouped into two strong beats per measure and each one is a dotted eighth note (dotted quaver).
9/16 time
9/16 time consists of nine sixteenth notes per measure (or 9 semiquavers per bar). These are grouped into three strong beats per measure and each one is a dotted eighth note (dotted quaver). This is a compound triple time signature are it has three strong beats, with each one dividing into three sixteenth notes.
12/16 time
12/16 time consists of twelve sixteenth notes per measure (or 12 semiquavers per bar). These are grouped into four strong beats per measure, each one being a dotted eighth note (dotted quaver). This is a compound quadruple time signature are it has four strong beats, with each one dividing into three sixteenth notes.
Irregular Time Signatures
Irregular time signatures consist of strong beats that do not divide up in the same way. This is in contrast to simple and compound time signatures that have strong beats that divide the same way (into 2 for simple and into 3 for compound). These meter can had an ‘irregular’ or ‘strange’ feel to them as the rhythm keeps shiftings from 2s to 3s.
We have an in-depth article on irregular time signatures if you would like more info on them. These time signatures also come up in Grade 5 Music Theory too.
5/4 time
Music using a 5/4 meter has 5 quarter notes per measure (5 crotchets per bar). These are grouped into two strong beats, one half note and one dotted half note (one minim and one dotted minim). The make the rhythmic pattern the dotted note will always fall in the same place (1st or 2nd) every measure.
As the dotted half notes divide into three quarter notes and the half notes divide into two, this time signature is neither simple or compound.
15 step – Radiohead is in 5/4 time. As the strong beats change from being worth 2 quarter notes, then 3 quarter notes, it gives the music an unsettled feel.
7/4 time
Music using a 7/4 meter has 7 quarter notes per measure (7 crotchets per bar). These are grouped into three strong beats, two half notes and one dotted half note (two minims and one dotted minim). The dotted minim beat falls first of last in every bar, but not in the middle.
As the dotted half notes divide into three quarter notes and the half notes divide into two, this time signature is neither simple or compound.
Money- Pink Floyd is a great example of using a 7/4 time signature.
5/8 time
5/8 time signatures have 5 eighth notes per measure (5 quavers per bar). These eighth notes are grouped into two strong beats: one quarter note and one dotted quarter note. The order of these beats does not matter, but it usually remains the same throughout a piece of music. So if the dotted eight note is first in each measure, then this pattern will continue for every measure in the piece.
“Bahlawan”, by Mira Awad is written in 5/8 time.
7/8 time
7/8 time signatures have 7 eighth notes per measure (7 quavers per bar). These eighth notes are grouped into three strong beats: two quarter notes and one dotted quarter note. The order of these beats can vary from piece to piece but will remain the same throughout one piece of music. The only rule is that the dotted strong beat cannot fall in the middle of a measure.
Seal – Dreaming in Metaphor you can here the one….and….two….and…three….and….a. The bass drum hits and offbeat rhythm on the third strong beat leading into each new measure. The complete effect give use the surreal, dream-like sound to the song.
Grouping of Notes
Have a look at the line of music below. There quarter note (quavers) have been grouped in fours. This is not by accident, it is due to the time signatures. As 4/4 has four crotchet beats, so the quavers are grouped into those beats. Grouping is a large topic but it’s enough to say here that the grouping of notes will follow the time signature that the piece is in.
Changing between Simple and Compound Time
We can move between time and compound time signatures. This means rewriting music from one to the other, but keeping the same rhymic effect in the music. If you are studying music theory then this is something you’ll want to know about and we have a dedicated article of help you.
Time Signatures that can sound similar to each other
Sometimes, if we speed up or slow down a piece, then our ear can find it hard to distinguish between the strong beats. This means that it can feel natural to count in a different time signature to the one on the music. This may sound a bit confusing but a few examples will definitely help.
An example would be ‘Gravity’ by Jon Mayer which is written in 6/8. But because the tempo is very slow our ear can hear it as 3/4, so one measure of 6/8 could sound like two measures of 3/4. This happened because of at the extremes of tempo.
Another example of this is ‘America’ by Simon and Garfunkel. This could be written as 3/4 or 6/8 because of the fast tempo.
Usual time signatures
As time signatures at their heart are rhythmic patterns, there is technically an infinite number of them. Some are more exotic and complex than we have covered in this article. For example “Entertain Me” by Tigran Hamasyan is in 256/32 time!
Learn more about usual time signatures with this in-depth Wiki on the subject.
FAQs
Why do we need time signatures?
When we listen to a piece of music our brains like a regular structure or format with which to overlay a melody. This is all time signatures are: a way to denote the rhythmic structure of the music. By giving them names and assigning numbers of beats and divisions, we can come up with many strange and usual meters, in addition to the staples like 4/4 and 3/4.
Can a piece of music change time signatures?
A piece of music can have multiple time signatures and these could be broken into sections or even alternating between them. For example, ‘Anyone Who Had a Heart’ by Burt Bacharach switches between 4/4, 5/4 and 7/8.
Ministry of Health
Almost all of us in our life are taking any medications. The range of medicines is significant and is constantly expanding. Medications require special attention when using them. Many medicines should only be used as directed by a doctor, who will give you advice on how to use them. But there are general rules drugs, to name some of them.
If medicinal drugs prescribed to be taken several times a day, then calculate the interval between doses you need based on 24 hours:
- if medication is needed take 2 times a day, then the interval between doses will be 12 hours (for example, at 8 am and 8 pm),
- if 3 times - then 8 hours (for example, at 7 o'clock morning, 3 pm and 11 pm)
- if 4 times - interval will be 6 hours (for example, 6 am, 12 noon, 6 pm and 24 nights).
- if an appointment is scheduled medicines 1 time per day, then you need to take the drug every day at the same time time.
Assortment of medicines varied and in some cases it is possible to use the same drug 1, 2 or 3 times a day, but it is important to observe the daily dosage. Therefore, at the appointment with the doctor, tell him how it is more convenient for you and / or your child. take medicine: 1, 2 or 3 times a day.
Any medicine needed taken correctly: on an empty stomach, before, after or with meals, as indicated in instructions.
Taking with food means taking medicine while eating,
on an empty stomach - this is about half an hour before breakfast,
before meals - this is at least 30 - 40 minutes before meals,
after eating is 1.5 - 2 hours after eating.
If you are treating your throat with aerosols/gargles and / or absorbable tablets, then within 1-2 hours after the procedure (or as indicated in the instructions) it is advisable not to drink or eat.
Wash down the majority drugs need clean non-carbonated water in a volume of at least 100 ml, that is half a glass. In some cases, the volume of water can be at least 200-250 ml (glass).
It is forbidden drink tablets/capsules with tea, coffee, Coca-Cola, Pepsi-Cola, sweet juices, soda, alcoholic drinks.
If a the instructions do not indicate when to take the drug and how to take it drink, it means that the reception is allowed at any time, but it would be more correct done with water at room temperature.
If the tablet needs to be sucked, then it can not be chewed, if it is indicated that you need to chew, then the pill is not worth it to swallow. Most often you can't to divide the coated tablet and dragee, because the shell protects the medicine from the action of the acidic environment of the stomach and / or protects the stomach from the action of the drug. If a there is no dividing strip on the tablet, then, most likely, it cannot be break apart.
Undesirable take several different pills at once. If it's necessary, then take your medicine with a break from 30 minutes to 1 hour.
At taking enterosorbents (for example, activated charcoal) and any other tablets the interval between their adoption should be at least 2 hours.
It is necessary to carry out full course of treatment. Often people, having felt improvement, stop taking drug. This is not true. But if you have any unwanted (side) effect, you should consult your doctor about the possibility of further its application.
Particular attention needs to be paid taking medications children, pregnant and lactating women, people over 65, drivers, athletes.
For children, a wide range is now being produced. assortment with children's dosage forms and dosages.
Recall that it is necessary strictly observe the rules for storing medicines (for example, in a cool place - until 18 degrees, in the refrigerator - from 2 to 8 degrees, some medicines cannot be frozen, many medicines require storage in a dark, dry place) and their expiration dates. Storage conditions and expiration date are indicated on the packaging of the medicinal product.
Before taking medicinal product (and preferably before its purchase) must be carefully read the instructions that came with it.
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