Where the wild things are slippers
Buy Where The Wild Things are Shoes Costume Wild One Birthday Boy Outfit Wild One Soft Plush Slippers Party Online at desertcart INDIA
Brand : Nongcr
Brand : Nongcr
Description
- Rubber sole.
- Imported from USA (Sizes & Specifications are based on the USA Market).
Shoe Size:Inner length 4.5" fit 0-6 months baby. Inner length 4.9" fit 6-12 months baby. Inner length 5.3" fit 12-18 months baby. Note: it is manual measurement, there may be 1-2cm tolerance. thanks for your understanding. Note: the recommended age is just for your reference,please measure your baby's foot length to choose the right size for your baby.
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Pink Lady Slipper Orchids and Poachers – Wild Seed Project
by Heather McCargo
Some of our most beautiful native plants do not belong in our gardens. When you see them for sale in a nursery, they are more often than not dug from the wild. The most common species collected in the wild are ferns, slow-growing woodland wildflowers such as trillium, bloodroot, hepatica, Dutchman’s breeches, trout lily, lady slipper orchids, and sods of bunchberry and lowbush blueberry.
The pink lady slipper orchid is a good example of a wild creature that does not want to be tamed. Blooming in late spring, this acid-woodlands plant looks like no other, and a large patch in bloom is spectacular. It is easily recognized by its pink pouch-shaped flower on a single 12-inch stem with two bright-green pleated leaves at its base. The flowers are a challenge to pollinate and it is the native bumblebees that are up for the task of climbing through the narrow opening down to the base of the pouch where they hope to find nectar. There is no nectar, just pollen, so after visiting a few flowers, the bees learn it is not worth the effort and hence many flowers do not get pollinated and produce seeds. If, however, a flower is successfully pollinated, it will produce thousands of tiny seeds. These seeds, like the plant, depend on wild soil fungi to germinate and grow.
These conditions are very difficult to replicate in cultivation, so no one commercially propagates pink lady slipper orchids.
If you see one for sale, it has certainly been dug up, and transplanting it is unlikely to be successful. Enjoy it in the wild, advocate for its protection, but do not covet it for your garden!
Other woodland species, such as ferns, trilliums, bloodroot and other spring ephemerals, can be propagated in a nursery. I have grown many woodland species from seeds and spores, but it is often a slow process. Trillium, for example, is not difficult to propagate, but it is time consuming, and it requires an understanding of the seeds and the forest understory that is its natural home. I will explain how to grow trillium from seed, and then you will understand why a nursery that propagates this plant cannot sell it for a mere $5.00.
Maine has four species of trillium that all bloom in spring. They are beautiful and dramatic, with three-petaled flowers atop three whorled leaves. The blossoms may be white, pale yellow, bicolored white with red, or maroon. Six to eight weeks after the plant blooms, the seedpod ripens by suddenly softening and falling off the plant.
Ants immediately carry the seeds back to their nest, eat the nutritious, fleshy white protrusion attached to the shiny, dark-brown seeds, and discard the seeds. If conditions are good (trillium likes a humus-y woodland soil with adequate moisture and shade), the seed will lie dormant and germinate after the second spring (yes, nearly two years later). At age 7, it may have its first bloom. A mature trillium plant with multiple blooming stems can be decades old. So if you see a trillium plant for sale in a nursery with pricing similar to other perennials, you can be pretty sure it was not nursery-propagated. Ask the nursery – if they cannot tell you how it was propagated, assume it was dug up in the wild. Let them know that this is unacceptable.
If you purchase plants that were collected in the wild, you are undermining the few nurseries that are taking the time to propagate these slower-growing plants. Sadly, in Maine there are no laws about collecting native plants on private land and selling them for profit (other parts of the country have stricter regulations against poaching and require a permit if they do allow any wild harvesting).
The only species that are protected in Maine are those listed as rare or endangered; (you can see a list of Maine’s rare and endangered plants on the maine.gov website). Many of the first native plant conservation organizations, such as Native Plant Trust, based in Massachusetts, formed over a hundred years ago because wild plant populations were being decimated by unscrupulous plant collectors. Needless to say, shrinking wild lands and a growing human population are making the situation even worse today. In addition, deer relish trillium and other woodland wildflowers, so they are being assaulted on all fronts.
So admire the natives who truly deserve their place in the wild. If you are interested in growing some of the more slow-growing woodland wildflowers like trillium, learn to propagate them yourself, so that you are helping to increase, rather than decrease, their numbers.
Not all wild things want to be tamed.
More information:
- Navigating the nurseries: how to find native plants
What house slippers eat: - Archet — LiveJournal
What house slippers eat:
And so, according to numerous applications.
What house slippers eat:
(Information received from Shurshafchik over a cup of red tea).
P The first thing I would like to clarify when speaking about the nature of slippers is their origin. House slippers differ from wild slippers in that they live in an apartment. Wild slippers rarely come across the eye and generally do not meddle with a person. They, dirty, tattered, can sometimes be found in landfills where wild slippers come to die. nine0011
D Home slippers, as mentioned above, live in an apartment. Each pair has Slipper and Slipper. Together they make up a fishing and hunting tandem.
Slippers are predominantly nocturnal. Although they can, of course, run from one place to another during the day, or (more often) - hide in the dark, under the bed.
A real habitat of hunting slippers - kitchen and various corridors. Behind the sofa and under the bed, slippers occasionally make a lair, more often - a warehouse of the most valuable prey.
nine0011 Separately, it should be noted that the observant reader has already noticed the love of slippers for darkness, as well as thermophilicity. Not a single decent slipper steals anything from the refrigerator - it's cold, scary and light.
(sic!) Specially noted by Shurshafchik: If you want to punish your slippers - put them in the freezer with a flashlight on. Slippers will become submissive.
So, after this little preamble, the list itself:
1) Lost beads and small coins. Eaten with slippers quickly and cleanly. It is worth scattering them on the floor - and, having collected, you no longer count a few pieces. Because you have to be barefoot.
To the honor of slippers, it should be noted that they do not steal big money never - mainly because of their bad smell.
2) Paper clips. They steal slippers exclusively from the table. If the paper clips are in a box or even more so in a box, they are not in danger of being eaten.
(sic!) It is believed that paper clips and small pieces of paper are the waste products of slippers. Not proven. nine0011 3) Screws removed from the computer. are devoured by shurshafchiks literally on the fly. It is worth leaving - and all. Bon appetit.
4) Jewelry. Eaten with slippers, but rarely. More often they are treated in a zadivanny lair.
5) Products - gingerbread, cookies, sugar, salt, grapes, everything small and loose - under attack. The grapes are especially depressing. You come, and someone has already pinched him.
6) Slippers' favorite food (especially for women) is teaspoons. True, it has been noticed that if you complain aloud about the fate and the loss of spoons for a long time, the spoons begin to multiply. Just the same with fantastic speed. nine0011 7) Socks and socks. Men's slipper socks are eaten with pleasure (Except when the socks are put directly into them. Then the watchman's instinct wakes up). Women's socks slippers do not touch.
Chauvinists.
8) If something small is missing - know - it was eaten by a slipper. A good example is the remote control from the TV, which these furry creatures manage to drag into all sorts of places and sometimes even hide in the trash can.
But you shouldn't blame them for everything.
(sic!) How slippers use stolen teaspoons is unknown to science. Somehow they assimilate...
Dirty slippers A cunning Georgian forced the rich to buy ugly sneakers : Style: Values: Lenta.ru
Fashion often makes incredible somersaults, simultaneously abandoning what until recently seemed both aesthetic and comfortable. But the craze of the last two seasons - "ugly" sneakers - violates, perhaps, all the rules for the existence of the fashion community.
nine0005
Much of what was fashionable in the past seems ugly or at least strange to us today. Medieval codpieces, sailor-flap trousers from the turn of the last century, and padded-shoulder jackets from the turn of the century are seen in modern contexts as somewhat amusing but rather ugly misunderstandings. However, at one time all these delights of fashion were not only accepted with a bang, but were considered highly aesthetic. But the sneakers, whose silhouette was declared fashionable in early 2017 by Balenciaga chief designer Demna Gvasalia, are not just desperately ugly - they are quite deliberately and calculatedly ugly. Actually, Gvasalia and his epigones are building the promotion of the silhouette on this - consumers are invited not only to follow the lead of fashion, but to consciously put on something on their feet, perhaps more anti-aesthetic than the famous ugg boots. nine0005
Papa can
At least the UGG boots are comfortable, which is not so sure about the Balenciaga Triple S, which became the model that ushered in a new era of casual luxury shoes.
The cunning native of Sukhumi, who settled in Paris, had already managed to identify landmarks in clothing by that time - as you might guess, the leitmotif of the Gvasalia collections for both Balenciaga and his own brand Vetements was the same fiercely declaimed protest against the traditional for high fashion buyers "make we are beautiful." nine0005
Highsnobiety
Skewed cuts, deliberately deconstructed collaboration items (like Levi’s jeans and jackets cut into pieces and roughly re-sewn), “dirty” colors and a parodic reproduction of short coats and baggy pants from the fashion designer’s late Soviet childhood. Add to this a caustic mockery of brand fetishism - absolutely black hoodies with a tiny logo for 850 euros flew with a bang - and at the end we get a completely finished artistic statement, which for the fashion world means, perhaps, no less than it once did miniskirts and "little black dress". However, for many, fashion from Gvasalia has clearly become a cultural revelation, no less than Marcel Duchamp's Fountain and Malevich's Black Square once were.
nine0005
Similarities with Dada and Futurism are added by the fact that Gvasalia, like the revolutionary artists of the early 20th century, did not actually come up with anything new. Black squares were painted long before Malevich, and Duchamp did not at all cast his famous urinal in metal with his own hands - but they proclaimed their creations to be art. Shapeless no name sneakers or some outlandish Chinese brands were sold for decades in cheap supermarkets in the West and in the clothing markets of the East (in America they even came up with the name dad’s sneakers, “daddy’s crosses”). Gvasalia exaggerated the silhouette - increased the sole to a very caricature size, added lurid overlays - and presented it to the world as the latest fashion squeak. The world gratefully rushed to buy his creations - at a price of about $ 1,000 per pair. nine0005
Demand for the Balenciaga Triple S is so outstripping the house's production capacity in Italy that tailoring was moved to China late last year, to the outrage of many buyers.
However, it cannot be ruled out that the “made in China” label on a box with shoes priced more than the average monthly salary of a Russian is another hooligan trick of Gvasalia. He never ceases to mock his fans, so why not add an extra touch. “You buy things for wild money that look like they were worn by homeless people. So why not make them even more authentic rogue style?” - as if he says. nine0005
Wonderful Georgian
In reality, Gvasalia is really quite open about her views on fashion and its future. “I do not think that the concept of "elegance" is relevant to our time. The fashion world is not the real world, and my aesthetic is hyperrealism. I'm not interested in trying to live in some kind of dream. I would die of boredom there,” the designer said in a recent interview with The Guardian.
In order not to be bored, Gvasalia actively refines other people's sneakers that fit the ugly aesthetic as part of collaborations. Reebok GM Pump, reincarnated for Vetements, are not just archaic (the models are already a quarter of a century old) and shapeless - they are also pre-coated with dirt, which gives them a completely “homeless” look (but, of course, not the price).
nine0005
The trend for “dirty” shoes, in fairness, was not invented by Gvasalia - here it was outstripped by the Italian brand Golden Goose, which back in 2016 offered carefully soiled, torn and taped sneakers for only 600 euros. But what looked like strange coquetry in the performance of a niche brand, being presented by a hype character, has turned into a cultural phenomenon.
Balenciaga's latest feat is the no less fashionable now sock sneakers (not very aesthetically pleasing) crossed with a huge ugly sole. To the eye of a person accustomed to laconic sports classics, the Balenciaga Speed Trainer looks absolutely monstrous and purely impractical - it is extremely difficult to run in them, and you can only wear them in dry weather. Fans (and, in particular, fans) of brutto stil nuovo, however, are a little embarrassed - people who are ready to pay more than a thousand euros for a synthetic sock with a plastic sole hardly have to spank through puddles or overcome snow blockages so often.
nine0005
Everyone ran
The success of Triple S and collaborations with Vetements did not go unnoticed by competitors: luxury brands rushed to release their own variations on the theme of “ugliness” on the market. Fendi, Chanel, Dior, Gucci - the last to give up is such a bastion of conservatism and heavy chic as Louis Vuitton, which recently released the Archlight model, reminiscent of either the shoes of an imperial stormtrooper from Star Wars, or the hoof of some apocalyptic beast. Mass brands are also eyeing the trend, but, apparently, their clientele is not very ready to change the usual laconic “Cortes” and “superstars” for outlandish structures with massive soles. nine0005
But fashion bloggers and critics are delighted. Some of them even see ugly sneakers as metaphysical. “These shoes say: here are my feet, firmly on the ground, protected by the color of zero scandal. Their nondescriptness is honest, even transparent. They can say a lot about how to find your place in the world, ”said British stylist and fashion columnist Pandora Sykes somewhat grandiloquently.
The most observant and remembering (a rare property in the fashion world) notice, however, that the first luxury sneakers that fall under the definition of ugly were introduced back in 2013 by Raf Simons. But Raf Simons x adidas Originals Ozweego 1 still failed to make the weather and generate a wave of imitations - although Simons, then the creative director of Dior, could compete with Gvasalia in terms of mastery in the field of hype. nine0005
Apparently, the fact is that Simons still thinks in terms of traditional fashion - allowing hooliganism and even local rebellion, but not an attack on the foundations. Here again, the analogy with the art of a hundred years ago is appropriate.
Materials on the topic:
Solid bourgeois connoisseurs of beauty, who had already come to terms with the "daub" of the Impressionists and even almost accepted non-figurative art, were shocked by the manifestation of everyday life, that very "real world" that Gvasalia speaks of, as material for art -objects.
