Who is the wolf in little red riding hood

Ending & The Wolf's Identity Explained

By Jack Wilhelmi

Published Jul 8, 2020

2011's Red Riding Hood, an adaptation of the old French folktale, delivers a teen drama from director Catherine Hardwicke with a mystery built in.

Adapted from the classic French folktale, Red Riding Hood adds elements of teen drama to the fantasy horror movie with a twist ending regarding the Big Bad Wolf's identity.

Directed by Catherine Hardwicke and released in 2011, Red Riding Hood stars Amanda Seyfried, Shiloh Fernandez, and Max Irons—the three young adults are living in a village called Daggerhorn and involved in a love triangle when their home is threatened by the presence of a man-eating wolf. Adapting the legend of Little Red Riding Hood—known as "Little Red Cap" in the Brothers Grimm version—there are elements of classic werewolf tales coupled with the elements from the folktale such as the young woman named Valerie (Seyfried), who is gifted a red coat from her grandmother, and the wolf's looming, ever-present danger after Red Riding Hood is so unfortunate to catch his eye.

Related: Red Riding Hood: How The Amanda Seyfried Movie Connects To Twilight

The movie changes a lot from the original story, and focuses more on the larger question of who—amongst the villagers—could be the murderer. The folktale focuses more on Little Red Riding Hood and her grandmother, to whom she has been visiting with food to aid her when she is frail and sickly. Red Riding Hood adapts traditional elements of teen supernatural dramas like The Vampire Diaries and Twilight by creating a love triangle between a young woman and the two young men who are vying for her love and attention. Red Riding Hood also plays out a traditional-styled "whodunit" mystery that ramps up the fear and paranoia of the villagers, aided by the appearance of a witch hunter, Father Solomon (Gary Oldman) who comes to slay the beast.

Red Riding Hood: The Big Bad Wolf's Identity Explained

The end of Red Riding Hood revealed Valerie's father, Cesaire (Billy Burke) to be the wolf. Not only was this a shocking turn of events because it meant that Cesaire killed Valerie's sister, Lucie and was responsible for all the other murders that have taken place at Daggerhorn. While it was revealed early in the movie that Lucie was actually not Cesaire's daughter, it added motive to Cesaire being the wolf, though this was never made obvious. Rather, Red Riding Hood cleverly focused on Cesaire's drinking problem, as if it was caused by his extreme grief over losing his young daughter rather than him drinking to control his violent impulses.

Valerie can hear the wolf speaking—this is what originally clued Cesaire in that Lucie wasn't his daughter, and why he killed her. In their final confrontation, he explains to Valerie that he meant to choose the eldest to join him so he could eventually take both of his children and leave to have a family of their own. However, when Lucie couldn't communicate with him, he knew she wasn't his biological daughter. This is also why he killed Adrien, Henry's father—he was Lucie's real father from his affair with Cesaire's wife, Valerie's mother, Suzette (Virginia Madsen). Cesaire also slashed Suzette's face in one encounter and murdered Grandmother (Julie Christie). The werewolf's identity was teased and led audiences to believe many could be the wolf: the main suspects were set up to be Grandmother, Henry (Max Irons), and Peter (Shiloh Fernandez).

What Happened To Valerie & Peter?

Valerie and Peter manage to slay the wolf; Valerie kills her father with Father Solomon's severed hand, which has silver fingernails. However, Peter ends up being wounded in the battle, bitten by the wolf. Father Solomon warned all the villagers of Daggerhorn that during the blood moon, anyone bitten by the wolf would be cursed to be a wolf as well. This was part of Cesaire's plan—he wished to transfer his gift to his daughters, just as his father had passed it to him. Though Valerie was torn between her betrothed, Henry, and Peter, whom she'd loved since childhood, the decision was made around the halfway point, when she returned the bracelet Henry gave her to him.

Related: The Grey Ending Explained: Who Wins Liam Neeson's Wolf Fight

Valerie and Peter's relationship became doomed when Peter was bitten by Cesaire; he would turn into a wolf, and there was no escaping it. While it meant that their relationship couldn't continue in the way they might have wanted, Valerie moved into her grandmother's house and waited for him. The ending of the movie shows that Peter has returned. What this could mean is that he's come back to bring her with him on the next blood moon so they can be together. Before they parted, Peter made a promise to Valerie that he would learn how to control his gift; he wasn't a genetic wolf like she is or like her father was, so it likely would take some time for him to be able to ensure her safety with the intensity of his new instincts. Since Valerie can communicate with werewolves, they will always be able to have some larger contact, even if they don't continue a relationship.

What The Wolf & Red Riding Hood's Ending Really Means

Traditionally, werewolf mythology speaks to the animal nature present in humanity. It signifies a loss of control, or even a loss of innocence. Other times, such as in movies like Ginger Snaps, it can mean a coming of age or coming into one's sexuality, when a young person is turned into a werewolf and has to undergo a significant transformation. In Red Riding Hood, the wolf seems to represent true evil and the mistrust present in mankind. As the villagers of Daggerhorn are first content to ignore Father Solomon's warnings about the wolf being present amongst them, they eventually come face to face with the beast and then start to get paranoid. Suddenly, everyone is a suspect.

When Valerie is revealed to be able to hear the wolf, she is also accused of witchcraft, which leads to her being masked and humiliated in the town square, then set out as bait for the wolf. This represents the time period—which is never explicitly stated, but could likely be in the 1600s and 1700s, at the time when men were often suspicious of women for everything from witchcraft to adultery without any sort of concrete proof. The backdrop of the wolf being assumed to be Grandmother by Valerie and Valerie presumed to be evil because of her ability to hear the wolf and her red coat is representative of the time.

Also, Valerie is sexually active with Peter before they are wed and while she's being considered for marriage by another, which points to more traditional themes held in werewolf movies, where sexuality being present is indicative of a wolf or some other evil. Though Red Riding Hood deviates from both the original story and classic werewolf elements, they are still present in the underlying themes of the movie.

Next: Everything We Know About The Wolfman Remake

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Peter | Red Riding Hood Wiki

in: Characters, Characters who are bitten, Characters who are werewolves,

and 10 more

Peter is one of the main protagonists of Red Riding Hood and Valerie's love interest. He is a woodcutter and is strongly suspected to be the Wolf's true identity, until it is discovered that Cesaire is actually the Wolf. Later, Cesaire bites Peter and he becomes a werewolf. Peter leaves to get control of his wolf form and then comes back to be with Valerie.

1 Background
2 Red Riding Hood
3 Family
4 Trivia
5 Image Gallery

Background[]

Peter was orphaned at a young age and lived on the fringes of Daggerhorn, earning a meagre living working as a woodcutter. He is considered something of an outcast by the other villagers, but has been friends with Valerie since childhood. Valerie would often sneak away to see him and they once hunted a rabbit together. In time, Peter and Valerie grew to love one another.

Red Riding Hood[]

When they learn that Valerie's parents have arranged for her to marry Henry Lazar, son of the wealthy blacksmith Adrian Lazar, Valerie and Peter plan to run away together, only to learn that the Wolf has broken its truce not to prey on the townspeople in exchange for cattle stock sacrifices and has murdered Valerie's sister Lucie, who is revealed to have had a crush on Henry Lazar.

Suzette learns of Peter and Valerie's love, telling Valerie she too did not love her husband at first, but learned to love him – that she had loved another. Father Auguste, the local preacher, calls for the famous witch hunter, Father Solomon, to help them but the townspeople decide to venture into the Wolf's lair to destroy it. They divide into groups, with one consisting of Peter, Henry, and Adrian. Peter separates from them moments before the Wolf attacks and murders Adrian. However, it is supposedly cornered by the men and killed, though in truth they only killed an ordinary wolf.

Peter attempts to visit Valerie to get her to come away with him, but she is having second thoughts due to not wanting to leave her family at such a difficult time. Suzette also orders Peter to stay away from her daughter, saying that if he truly loves her, he will let her go. That night, as Daggerhorn celebrates their apparent victory over the Wolf, Peter, frustrated by Valerie's rejection of him, deliberately dances and flirts with Rose to make Valerie jealous. She in turns dances provocatively with Prudence. They are interrupted by Henry, who publicly confronts Peter and blames him for causing his father's death. Valerie stops the men from fighting and Peter storms off. Valerie follows him and, after a brief altercation, they admit they still love each other. Valerie and Peter end up passionately kissing in a stable and nearly make love, but are interrupted by some local youths (unaware that Henry has seen them). Later, when the Wolf attacks Daggerhorn, Valerie attempts to find Peter, but he appears to have vanished. When Valerie learns she can communicate with the Wolf, which has brown human eyes not unlike Peter's and insists that Valerie come away with it, this eventually leads her to suspect Peter could be the Wolf, attempting to get revenge on the town for separating them.

Believing Valerie to be a witch after learning of her ability to communicate with the Wolf, Father Solomon has her captured and displayed at the town's square in order to lure the Wolf out so he can kill it. Henry and Peter join forces and help Valerie to escape. Peter is captured by the Captain and thrown into a torture device known as the elephant, though he manages to escape and flees into the forest.

In the woods, Valerie meets Peter, who is wearing a glove. Noticing that his hand is burned in the same place where the Wolf burned its paw trying to enter the church, Valerie assumes Peter is the Wolf. He does not explain how he was able to get out of the elephant, but believing him to be the Wolf attempting to hide his burned paw, Valerie slashes him with a knife. She flees to her grandmother's house. When she arrives, it seems as though her grandmother is acting strangely and will not reveal herself to Valerie. It is then revealed that the Wolf was neither Peter nor Valerie's grandmother, but Cesaire as he pulls back the curtains, also showing himself to have been faking her grandmother's voice. Cesaire explains to Valerie that he needs someone to pass his 'gift' onto her, as the Blood Moon is almost over.

Peter in his wolf form.

As Cesaire is about to bite Valerie, Peter suddenly arrives to save her. He confronts Cesaire, who bites Peter and tosses him aside. Peter is able to throw an axe into Cesaire's back, distracting him. Valerie stabs Cesaire to death with Father Solomon's silver-fingernailed hand. Valerie and Peter fill Cesaire's body with rocks so he can never be found and dumps the body in the lake, however because Cesaire bit Peter during a Blood Moon, he will now become a werewolf too. Peter departs in order to learn how to control his curse, vowing to return only when he's able to ensure Valerie's safety. Some time later, Peter, having gotten his powers under control, returns to Grandmother's cabin - where Valerie now lives - on the night of a full moon. Valerie, standing outside the cabin picking herbs, hears Peter growl, turns around and sees him in his wolf form. She smiles at him and they reunited.

Family[]

Peter's Father (arrested and deceased)
Peter's Mother (deceased)
Grandmother (grandmother-in-law) (deceased)
Cesaire (Father-in-law and enemy) (deceased)
Suzette (Mother-in-law)
Lucie (Half-sister-in-law) (deceased)
Henry (Step-brother-in-law and friend/enemy)
Adrian Lazar (Step-father-in-law) (deceased)
Valerie (Love interest,later wife)
Unnamed child (Alternate Ending)

Trivia[]

In an alternate ending,when Peter returns to grandmother's house at night in his wolf form,he sees Valerie who is holding their newborn child in her arms.
Peter's name is possibly a reference to the children's story Peter and the Wolf, about a brave boy named Peter who captures a wolf that has terrorising his farm.
Peter is the only werewolf in the film who is not antagonistic.

Image Gallery[]

Peter vs Henry

Peter and Valerie confessing their love

Peter and Valerie after killing her father

Peter hidden in the crowd

Peter telling Valerie to leave Daggerhorn with him

Peter with Valerie

Peter

Peter and the rest of the DaggerHorn townspeople

Peter and Valerie in the Ending

Peter and Valerie in bright light

Peter and Valerie in the film's beginning

Peter and the Huntsmen

Peter and Valerie witnessing Lucie's death

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Wolf (character of the fairy tale S. Perrault “Red hat”) (Red Red Red Red Back)

Red cap

Charles Perro

Brief presentation

reads in about 5 minutes

9000

And their characteristics

Composition

The wolf (le loup) is a character in Ch. Perrault's fairy tale Little Red Riding Hood (1697), who ate Grandmother and Little Red Riding Hood. The wolf meets Little Red Riding Hood in the forest and wants to eat her, but does not dare, because there are woodcutters in the forest. He learns from the girl that she is going to visit her sick grandmother, asks where she lives, promises to visit her grandmother too, and invites Little Red Riding Hood to take the long road, while he sets out on the short road. Arriving at his grandmother's house, the Wolf changes his voice, posing as Little Red Riding Hood, learns from his grandmother how to open the door, rushes at the old woman and swallows her whole, as he has not eaten for three days. Then he gets into bed. When Little Red Riding Hood knocks on the door, he asks in a rough voice: "Who's there?" He asks Little Red Riding Hood to put a cake and a pot of butter on the chest and lie down next to it. Little Red Riding Hood is surprised by the look of "Grandma" when she is undressed. The wolf answers her naive questions about big hands (“This is to hug you better, granddaughter!”), About big legs (“This is to make it easier to run, my child!”), About big ears (“This is to hear better, my child!), about big eyes (“This is to see you better, my child!”), but after the question about big teeth, he stops this game and says: “This is to eat you!” With these words, he rushes at Little Red Riding Hood and eats her.

The wolf depicted by Ch. Perrault has human qualities: he speaks with a human voice that can change, comes up with cunning plans, etc., which makes him related to the characters of both fairy tales and fables (animals are allegorical images of people). However, the complete identification of the Wolf with a person does not occur. He was not given a name, like the wolf Isengrin in the old French animal epic of the 12th-13th centuries. "A novel about the Fox". The wolf is not a werewolf, he does not take the form of a gentleman (in the forest), Little Red Riding Hood (knocking on the door) or grandmother (in bed). This is actually a fabulous feature, like the ability to swallow a grandmother whole, and then a granddaughter.

The ambiguity of the image of the Wolf made it possible to put forward several interpretations of it. The first was suggested by Perrault himself in the “Morals” accompanying the tale, where the fable beginning is strengthened, the Wolf is likened to secular red tape: “The wolves cannot be counted, / But there are others / Rogues, so puffy, / That, sweetly exuding flattery, / Guard the honor of a girl , / Accompany their walks home, / Take them bye-bye through dark back streets . .. / But the wolf, alas, is more modest than it seems, / That way he is always crafty and scarier! "Moral" removes the fabulous beginning and makes the work purely "adult". The followers of Perrault, referring to this image, added another ending (the death of the Wolf), creating a plot more acceptable for children's perception.

Representatives of the mythological school saw hidden symbolism in the Wolf (see Little Red Riding Hood). Psychoanalysts, on the other hand, view fairy tales as a fixation of purely human relationships. So, E. Bern, considering the image of the Wolf in an extended version of the plot, in which the Wolf dies (which was not in the fairy tale by Ch. Perrault), wrote: “If we take the result as it really is, then everything as a whole is an intrigue , in the network of which the unfortunate wolf was caught: he was forced to imagine himself as a dodger, capable of fooling anyone, using the girl as bait. Then the moral of the story may not be that little girls should stay away from the forest where wolves live, but that wolves should stay away from girls who look naive and their grandmothers. In short: a wolf should not walk in the forest alone. The direct source of the image of the Wolf has not been established, since Perrault's tale is the earliest record of this plot. The wolf is a popular character in fairy tales of different nations. The main features of this folklore image are reproduced in the medieval "Roman about the Fox" (Wolf Isengrin). Along with Little Red Riding Hood, the Wolf is a world literary image, accompanies her in other fairy tales on this plot, in theatrical and film versions, ballets. One of the interesting interpretations of the image of the Wolf is the musical fairy tale by S. Prokofiev "Peter and the Wolf".

Other compositions based on this work

Little Red Riding Hood by Charles PerraultRed Riding Hood (character of Ch. Perrault's fairy tale "Little Red Riding Hood") Mother (character of Ch. Perrault's fairy tale "Little Red Riding Hood")

Little Red Riding Hood and the Gray Wolf

The Little Red Riding Hood doll is dressed in a white satin blouse, a black short waistcoat, a lace apron and a long loose dress. On the charming head of the pupa there is a triangular hat of red color, which gave such a characteristic name. In her hands, the Little Red Riding Hood doll holds a wicker basket with pies for her beloved old grandmother. This image is familiar from early childhood, but the question is: “Did she always look like that?”. To answer, let's look far back into the depths of time, where did the fictional girl from the instructive story come from.

Fairy tale Little Red Riding Hood - a folklore source

Little Red Riding Hood from a European fairy tale is the main literary heroine of an old story about the adventures of a young village girl. The authorship of this popular narrative is often erroneously attributed to the French poet and writer Charles Perrault or the German linguists brothers Wilhelm and Jacob Grimm.

The instructive story has been widely used since the 16th century in the oral folklore of the peoples of Tyrol and the foothills of the Alps at the junction of Switzerland, Italy and France. A true story about the adventures of a little girl (still without a red headdress) is considered folk, because there were several plot options. In Italy, a loving granddaughter treated her elderly grandmother to a ruddy pie with fresh fish delicacies. In Alpine Switzerland, I walked leisurely along a forest path with a wicker basket of fresh cheese. The French girl walked briskly with mouth-watering ruddy buns and a voluminous earthenware jug of butter.

In some alternatives, the brave heroine won the finale, in others, the villainous Gray Wolf took over. The original scenario of the fairy tale was by no means distinguished by Christian humanism and moral humanity and did not spare the fragile child's psyche. For example, here are the differences between the original folk tale and the modern literary version of the adventures of our heroine.

Having completed a short but fruitful dialogue in the depths of a centuries-old thicket with a lovely baby, the evil Gray Wolf hurries to Grandmother and immediately devours her;
A bloodthirsty predator pours Grandma's blood into a glass bottle, and cuts Grandma's body into small slices and puts it on a dinner plate. The cunning Gray Wolf changes into his grandmother's clothes and quickly takes her place in bed. To hide the evil animal grin, he pulls the woolen blanket up to his chin;
Little Red Riding Hood comes to the house, and the villain in disguise treats her with meat from a plate. A domestic cat hisses in her granddaughter's ear: "Don't eat - this is your Grandmother's flesh!". The Gray Wolf, having heard the cat's warning, angrily throws a rough boot that has turned up under the arm, but misses;
The wolf treats his dear guest with his bloody wine, the domestic cat hisses in her ear again: "Don't drink - it's your Grandmother's blood!". The Evil Wolf deftly throws a shoe at the merciful cat and kills it. Boots in those days were wooden and very heavy;
At Wolf's insistence, the teenager undresses, burns all his clothes (why?) in a burning fireplace and humbly goes to bed with Grandmother Wolf;
Already in bed with a disguised predator, the famous dialogue sounds: “Tell me, Grandma, why do you have such big teeth?”. The folk tale ends with an optimistic phrase: "And then the Wolf took and ate Little Red Riding Hood."

Such a tragic ending is present in almost all versions of the story, although occasionally a little girl, with the help of her courage and cunning, finds a way to escape from the insidious villain. And the cunning Wolf is actually an evil and bloodthirsty werewolf or a fierce werewolf. Hence his extraordinary ability to speak human language and the ability to disguise himself as decent people. Here is such a “cute” folk parable for very young children, so that they would rest in a serene healthy sleep!

Charles Perrault's variant

Charles Perrault (1628-1703) was a poet and literary critic from France, the author of the collection "Tales of bygone times", popular for his time. A children's book with instructive drawings came out of the printing house in 1697. The publication included 8 entertaining stories in poetic processing by the author. The following works became cult in Russia:

Cinderella;
Puss in Boots;
Little Red Riding Hood;
Boy with a finger.

It is in the retelling of Charles Perrault that our old acquaintance first appears in red clothes. But not the usual cap on the head, but a chaperon - a spacious cloak with a hood. In the 12th century, the chaperon was exclusively a men's garment for travel or weather protection. Red dresses were not supposed to be worn by young girls from a decent family. Charles Perrault professed the moral that one must adhere to and strictly observe the generally accepted requirements of virtue. The girl went in a fairy tale against the existing foundations of society. For this offense she was justly punished.

The literary retelling of Charles Perrault left a pronounced medieval erotic overtones and removed the dramatic character of the beloved cat. There was an instruction on current topics: "... girls, meeting all sorts of men on the way, cannot listen to insidious speeches, otherwise the wolf can eat them. " This imperishable parting word is relevant at all times.

The fairy tale, as edited by Charles Perrault, turned out not for small children, but rather for adult readers, but very instructive. The author softened the rough and sometimes cruel aspects of the folk fable, but the questions on the relationship of the sexes were highlighted. You can often come across an option that ends more optimistically - brave woodcutters accidentally passing by save Grandmother and her reckless granddaughter from certain death. It is a mistake to attribute such a life-affirming ending to Charles Perrault. Such a literary ending was invented much later by the German brothers V. and J. Grimm.

Author's retelling of the Brothers Grimm

A whole century has passed. The medieval popular essay about the extraordinary misadventures of the granddaughter Little Red Riding Hood was translated, rewritten and again literary processed. This time, the German storytelling brothers Wilhelm and Jacob Grimm put their talents and two pairs of hands to the retelling of Charles Perrault.

In the German version, the Brothers Grimm supplemented the textbook version of Charles Perrault with literary details and poetic innovations from the play in verse "The Life and Death of Little Red Riding Hood" by the German playwright Ludwig Tieck. On the head of the main character, a scarlet velvet hat forever and irrevocably reigned. For the old and sick Grandmother, a large slice of appetizing homemade pudding and a voluminous bottle of strong homemade wine were now intended as a generous gift. The little girl left the forest path and was late to visit the old woman, because she was collecting a bouquet of forest flowers as a gift from her beloved Grandmother.

A new author's literary character appeared in the scary tale - an experienced hunter with a gun passing by the hut, as an option - a woodcutter with an ax. The quick-witted hunter did not shoot the sleeping Wolf with a gun. He guessed that the previously swallowed Grandmother and Little Red Riding Hood were sitting in the stomach. Sharp scissors turned up under the firm male hand and the cunning hunter ripped open the belly of the insatiable sleeping predator. Swallowed by a predator, a young girl and an elderly old woman jumped out of captivity alive and unharmed. It is characteristic that the Wolf continued to sleep soundly after the perfect hara-kiri. Little Red Riding Hood quickly dragged heavy stones from the street, which she deftly piled into the insatiable womb and skillfully sewed up his stomach with threads. Only after that, the Wolf finally woke up and tried to escape, but because of the heaviness of the stones in his stomach, he fell dead to the ground and finally died to the delight of everyone. This is such a difficult way to kill a vile villain that the good German children's writers brothers V. and J. Grimm came up with.

In the original story there was one more variant of the ending, which was not repeated by almost anyone afterwards. Some time after the miraculous rescue, our old friend, walking in the neighborhood with her beloved Grandmother. An outside gray Wolf ran past on his own business. An unexpected meeting turned out to be a fatal event for a ferocious predator. Absolutely without outside help, Little Red Riding Hood and Grandmother drowned the seasoned predator together in a broken wooden trough with rainwater.

The literary version of the fairy tale from the Brothers Grimm turned out to be more adapted for children's perception. The authors marked the final point in the finale with imperishable morality: "You must not disobey mother's orders." Who would argue.

Later literary translations and free presentations

A fairy tale for children about the extraordinary adventures of a naughty girl, has become extremely popular in Europe. Each new literary author, translating international history into his native language, finalized the fascinating artistic narrative to his taste. The instructive story was constantly expanded, rewritten, finalized, removed terrible moments and incomprehensible medieval moralizing. According to literary requirements and moral principles, parents need harmless good fairy tales for small children. All questionable scenes of an erotic or violent nature have been removed from the old creepy story.

In Russia, the fairy tale about Little Red Riding Hood has been repeatedly translated and republished. The first complete retelling of the Brothers Grimm version was made by the historian of Russian literature N.P. Polevoy (1839 - 1902). This literary translation was not widely disseminated in society. The most popular in Russia was the literary version of Ivan Sergeevich Turgenev (1818 - 1893). The plot of the tale was largely softened, and medieval teachings disappeared. This next author's version in a free retelling of the great Russian classic is presented to us today as the original fairy tale.

Domestic cinematography could not ignore such a hot topic. The ancient European fairy tale found a second wind in various works of art by Soviet authors. In 1958, the politically correct cartoon "Peter and Little Red Riding Hood" was released on television. Petya, a Soviet pioneer in a scarlet tie, helps to defeat the evil Gray Wolf.

Little Red Riding Hood in the USSR

In 1977, on December 31, a two-episode musical television movie About Little Red Riding Hood starring the irresistible young Yana Poplavskaya was released on Soviet televisions. Other than the title, the TV movie has nothing to do with the canonical text. The bad wolves in the TV movie look much more decent than people. At 19In 1990, the perestroika cartoon "Little Red Riding Hood and the Gray Wolf" was released. In honor of the famous character in the USSR, chocolates were even named. Today, the medieval fairy tale and its various fictional versions are the most popular and filmed instructive children's story in the world.

In addition to the well-known literary, musical and television reincarnations, our Little Red Riding Hood doll is presented in the same man-made image as the artists of the Doll as a Gift workshop see it. This image of a needle bed doll is unique, because the model is made according to individual patterns and shapes.