Playdough sight words
Sight Word Play Dough Mats
Kindergarten Mom Team2022-03-04T17:21:19-08:00Sight words are words that students should be able to read by sight. These are words that are difficult or impossible to sound out and thus must be memorized. For Kindergarten it is suggested that students learn Pre-primer and Primer words from the Dolch 220 word list. Below you’ll find free printable sight word play dough mats for all of the pre-primer words. This is a fantastic way to incorporate some hands-on learning into your classroom. We suggest you print on cardstock and laminate for durability. Alternatively, you could place each page inside a page protector and then keep a set of them in a three-ring binder.
Sight Word Playdough Mats
40 Sight Word Play Dough Mats covering Dolch 220 PrePrimer Words. This set is perfect for Preschool and Kindergarten students. Each activity mat includes:
-Play Dough Sight Words
-Letter Formation Tracing
-Sight Word Handwriting
Click Here
Our sight word printable have been a HUGE hit, but one question keeps coming up…. ”How can I use my own word list?” Well, we’ve figured out a way for you to do that! We’ve created Editable Sight Word Activity Sheets you can use with your own word list. Simply type your word list in and watch as the entire pack auto-fills with your words. The possibilities are endless for these editable worksheets. You can type sight words, names, spelling lists and more! Click Here for more details. 
Sight Word Play Dough Mat: A
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: AND
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: BIG
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
 Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: BLUE
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: CAN
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: COME
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: DOWN
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
 Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: FIND
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: FOR
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: FUNNY
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: HELP
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
 Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: GO
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: HERE
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: I
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: IN
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
 Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: IS
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: JUMP
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: IT
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: LITTLE
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
 Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: MAKE
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: LOOK
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: ME
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: NOT
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
 Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: MY
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: PLAY
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: ONE
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: RED
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
 Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: RUN
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: SEE
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: SAID
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: THE
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
 Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: IS
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: THREE
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: TWO
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: UP
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
 Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: WE
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: WHERE
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: YELLOW
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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Sight Word Play Dough Mat: YOU
This is a free play dough sight word mat. Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
 Laminate or place inside a page protector. Students use play dough to make the word, trace the word and write the word with a dry erase pen.
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44 Free Sight Word Playdough Mats
I made these 44 FREE sight word playdough mats for YOU, because I'm so tired of seeing kids being sent home with sight word flashcards. BORING!
I get that things need to be simple, or we won't do them as parents, so I've create completely free hands-on playdough mats for your young reader to use. They're not individual pdfs either, just one big, easy packet to start using instantly.
Which sight words are included in the packet?
Included in the packet are 44 words from Fry's first 100 sight words list.
When I taught kindergarten would introduce 1-2 sight words a week and these are the words that I taught first! Teachers choose sight words at their own discretion, and there is no one "right" list for kindergarten. These are also the words I am teaching my daughter first. 
 
All the words included in the sight word playdough mats packet:
- a
- all
- am
- an
- and
- are
- as
- be
- by
- can
- do
- for
- go
- has
- have
- he
- his
- how
- I
- if
- in
- is
- it
- like
- look
- me
- more
- my
- no
- of
- on
- or
- said
- see
- she
- so
- than
- that
- the
- they
- to
- was
- we
Why are these playdough mats so effective at teaching sight words? Well, the key to learning sight words is exposure. Since many sight words don't sound how they're spelled, kids must recognize them by sight.
Yes, that's why they're called sight words. Some teachers call them different things: tricky words, rainbow words, rule breakers, etc. In order to memorize these strange yet vital words, kids need to interact with them many times. 
 
How to use your sight word playdough mats:
Each sight word playdough mat has 4 ways to interact with the word, and kids will see the sight word they're working on 6+ times during the activity.
See the playdough mats in action:
Roll It Out/Playdough Section
First, kids will roll out their playdough into long "snake" pieces, then twist and shape them into the letters that form the sight words. This sensory way to learn, really benefits all kids, especially young children who are often tactile learners (those who learn by touching).
Besides being a great sensory invitation to play, did you know that playing with playdough majorly builds up the small muscles in the hands needed for fine motor skills. I tell you all about why those are so important in this post about fine motor development!
Read and Cover Section
Next kids will read the sight words in the left bottom corner and splat them with playdough.
Make 3 small playdough balls, and have kids smush the ball with their fingers on top of the sight word on the mat! Kids won't need to know how to read all the sight words in this section, only to find the one they're working on. However, seeing all the sight words they've previously worked on, only helps cement their memorization.
 However, seeing all the sight words they've previously worked on, only helps cement their memorization.
Trace and Write Section
The final section has a tracing component, and a writing component. If working with 4 year olds, they can just trace the sight word with their finger. When working with older kids in kindergarten and first grade, they can trace the word with their finger or a dry erase marker. If they're ready to write independently, the final line includes a space to try that, the most difficult step.
In sight word playdough mats, kids are building the word through sensory play, scanning and finding the word with reading skills, tracing the word, and finally writing it. With so many different kinds of interactions, these sight words have a much higher chance of being memorized than with boring, old flashcards!
Download Your Sight Word Playdough Mats NOW!
Tips for best use of your sight word playdough mats:
- Wanna use these over and over again? For best results, use cardstock. Cardstock is thicker so it'll last longer, but if you're gonna be one and done, just print on regular paper. Cardstock is thicker so it'll last longer, but if you're gonna be one and done, just print on regular paper.
- Laminate or place your sheet in a sheet protector. Who has a laminator? Though it is a nice way to preserve your sight word mats, it might be tricky to access, so use these sheet protectors, and BAM, you can use it again and again.
- Check out these 16 other incredible sight word games that I use to increase exposure and help make reading a fun, bonding experience for me and my daughter.
- Throw the flashcards away. ; )
Want even more playdough mats for your younger kiddos?
Check out these alphabet playdough mats, also totally free! Yes, you read that right.
Grab all 26 alphabet playdough mats and begin learning all about the alphabet with your 3-5 year olds.
I beg you not to retire. Ready to make any adjustments. You can say not “development”, but “education”, if you don’t want didactics, let’s “awaken” or “light a spark”. I don't like "extraordinary", let's say - "creative". It's not about terms. I think that there are few hunters to argue that it is much more interesting for a person with a developed imagination and fantasy to live in this world than a simple “single-celled one”. So, we will develop, if it is possible in principle, and with the help of just a few books.
 It's not about terms. I think that there are few hunters to argue that it is much more interesting for a person with a developed imagination and fantasy to live in this world than a simple “single-celled one”. So, we will develop, if it is possible in principle, and with the help of just a few books.  All books in this review are about literature. Unlike, say, cinema or television, where the images are already set by the authors in a visual form, literature, as Zweig ironically, is nothing more than "a small stack of paper covered with printed signs." The reader must himself, on the basis of the “silent” word, reconstruct in his imagination the picture of life that the writer imagines. This is the unique feature and superiority of literature: it requires labor and talent from the reader. Moreover, she herself is able to awaken this talent.
 “Literature needs talented readers just as much as talented writers,” remarked S.Ya. Marshak. “It is on them, on these talented, sensitive, imaginative readers, that the author counts when he strains his mental strength in search of the right image, the right turn of action, the right word. The artist-author takes on only part of the work. The rest must be supplemented by the imagination of the artist-reader. Without such a reader, "all the works of Homer, Dante, Shakespeare, Goethe, Pushkin are just a dumb and dead pile of paper."
 The artist-author takes on only part of the work. The rest must be supplemented by the imagination of the artist-reader. Without such a reader, "all the works of Homer, Dante, Shakespeare, Goethe, Pushkin are just a dumb and dead pile of paper." 
It is possible to awaken the reader's talent in a child. This will certainly be facilitated by the experience of a real life conflict, which will remind the child of something read. This, of course, will be helped by the clever word of an older friend experienced in literature. And of course, books.
 If you have read to your child, for example, English poetry of the absurd translated by S.Ya. Marshak (“Three wise men in one basin...”), Edward Lear’s limericks translated by G. Kruzhkov, or the book “In My Imagination” by B. Zakhoder, where there are animals that do not exist in reality - Kavot, Kamut, Rapunok, Stranger, then the kid, we can assume, has already completed his initial training at the school of imagination. “The poems tell us something. // But not always. // Not for everyone” (B. Zakhoder). And if Alice in Wonderland by L. Carroll has become the favorite book of the child, you can not fuss too much - everything is in order with your child's imagination.
 // But not always. // Not for everyone” (B. Zakhoder). And if Alice in Wonderland by L. Carroll has become the favorite book of the child, you can not fuss too much - everything is in order with your child's imagination. 
No one knows how many ways there are to awaken a sleeping fantasy.
Let's try only three.
Method 1
There is probably nothing more fun than writing your own fairy tales. But this is true literary work! How to master it? There is one curious book for adults and serious people that will tell you how to deal with children so that they, in the end, can make a salad from fairy tales .
Method 2
Of course, you have noticed that when you re-read your favorite book after some time, you find so many new things in it! We are changing. But a literary work also changes every time depending on what the reader can and wants to find in it.
  “I promise to confuse your head like that!”, or what is this very “Plasticine of the World”  . 
 
Method 3
Two rather "older" books will help you and your growing children to visit the "workshop of the word" of the greatest and most famous. Someone will say: “But what, there are no newer books?” There is why. But these are the most necessary, able to tell about secret creativity .
April 26, 2002
Rodari J. Grammar of fantasy: An introduction to the art of storytelling / Per. from Italian. Yu.A. Dobrovolskaya. - 2nd ed. — M.: Progress, 1990. — 192 p.
 The Italian writer Gianni Rodari is known to us primarily as the author of the fairy tale "The Adventures of Cipollino". But he has other great books as well. Among them is the "Grammar of Fantasy". The unusualness of the book is that it helps adults to penetrate the world of children's fantasies, which means to understand the child more deeply and help him. Rodari offers several simple tricks for inventing all sorts of stories - such as, for example, purposely twisting fairy tales, fairy tales inside out, the ability to make a new fairy tale out of an old one. Would you like to try making a salad out of fairy tales? Gianni Rodari's advice will teach you to "design" riddles and "build" a whole story from a single word. But do not think that the children's storyteller has created a manual for the preparation of future writers. “Free wording is for everyone!” — this is the motto he proclaims in his book. Good writing, according to J. Rodari, is necessary "not only so that everyone is an artist, but so that no one is a slave."
 Would you like to try making a salad out of fairy tales? Gianni Rodari's advice will teach you to "design" riddles and "build" a whole story from a single word. But do not think that the children's storyteller has created a manual for the preparation of future writers. “Free wording is for everyone!” — this is the motto he proclaims in his book. Good writing, according to J. Rodari, is necessary "not only so that everyone is an artist, but so that no one is a slave." 
April 26, 2002
Klyuev E.V. Between two chairs. - M.: Pedagogy, 1989. - 159 p.: ill. - (Know thyself: Psychology - for schoolchildren).
They say that there is already a new edition (2001) of this book and it has 176 pages. Didn't see it, unfortunately. But if this is true, I am very, very glad - the book is needed today by many.
 Despite the fact that there cannot be a textbook on overcoming stereotyped thoughts, fighting the dominance of stereotypes, and eradicating the habit of following the beaten paths, this book has been in existence for all the years of its existence (since 1989) served as a kind of manual - a coach in intellectual dynamism and looseness. 
 
In general, this story has been living a rather turbulent life since its birth. A lot of people, both adults and teenagers, know about it and are ready to talk with obvious delight. She is constantly quoted. And recently, my daughter, catching me reading it again, suddenly said: “And here, in our school theater, a performance was staged based on this book.” In doing so, she used the word "cool". She is forgiving. And I'm in shock. Not from a slang word, but from the fact that it is impossible to put on a performance based on this book, in my (stereotypical, unfortunately) idea.
I will repeat the words of Professor M.V. Panov, who wrote the preface to the story: this is a book in which “overcoming stereotypes is its artistic goal, which does not teach, but causes the desire to assume, invent, combine inventions, delve into unexpected thoughts.”
 Doctor of Philology MV Panov proposed a subtitle for this story: "Philosophical and logical-linguistic paradoxes of the semantics of possible worlds. " And the author himself formulated the main theme of the book: "Asymmetric dualism of the linguistic sign." Don't be alarmed, these scientific terms are certainly accurate. But the book is fiction, it was written for a fairly erudite, original-minded reader with a sense of humor. For some, this is a book about language, about the theory of knowledge, about the psychology of the perception of literature and art, for others it is a fascinating story. The author invites readers to a “feast of imagination”: “I promise not to give you peace, rest and peace, I promise to deceive you at every step, I promise to confuse your head so that the most ordinary things will become mysterious and in the end incomprehensible, I promise lead you to all the dead ends that will meet along the way, and finally I promise you the collapse of all hopes and illusions, as well as the complete trampling of Life Experience and Common Sense.
 " And the author himself formulated the main theme of the book: "Asymmetric dualism of the linguistic sign." Don't be alarmed, these scientific terms are certainly accurate. But the book is fiction, it was written for a fairly erudite, original-minded reader with a sense of humor. For some, this is a book about language, about the theory of knowledge, about the psychology of the perception of literature and art, for others it is a fascinating story. The author invites readers to a “feast of imagination”: “I promise not to give you peace, rest and peace, I promise to deceive you at every step, I promise to confuse your head so that the most ordinary things will become mysterious and in the end incomprehensible, I promise lead you to all the dead ends that will meet along the way, and finally I promise you the collapse of all hopes and illusions, as well as the complete trampling of Life Experience and Common Sense. 
 So, a handsome, but overly serious young man, either Peter or Pavel, called Peter and Paul to avoid misunderstandings, embarks on a journey through the expanses of literature. He meets: Bon Juan, Oh, whether Lukoy, White Brainless, Plasticine of the World, Gulliput, Far Away Swell, Adjacent Queen, Vosche Immortal, Heavenly Dwarf, etc. Just don’t think that the letters on the keyboard “sink” on me, and therefore complete misprints. Nothing like this! It is with these heroes that Peter and Paul meets. I especially like his conversations with the Plasticine of the World. They, I think, are the essence of the book. “How long are you going to fool me? “It won’t work with you for a long time. You are too boring and you are always looking for something that is not there - certainty. So you seriously think that everything in the world can be either this or that? — How else? - Yes, as you like: this way, and that way, neither way nor that way! .. and in general - in every way! .. ”- this is a small quote from the conversation of Peter and Paul with Plasticine. You feel it's time to take out the book and read from the first page, otherwise you won't understand anything.
 He meets: Bon Juan, Oh, whether Lukoy, White Brainless, Plasticine of the World, Gulliput, Far Away Swell, Adjacent Queen, Vosche Immortal, Heavenly Dwarf, etc. Just don’t think that the letters on the keyboard “sink” on me, and therefore complete misprints. Nothing like this! It is with these heroes that Peter and Paul meets. I especially like his conversations with the Plasticine of the World. They, I think, are the essence of the book. “How long are you going to fool me? “It won’t work with you for a long time. You are too boring and you are always looking for something that is not there - certainty. So you seriously think that everything in the world can be either this or that? — How else? - Yes, as you like: this way, and that way, neither way nor that way! .. and in general - in every way! .. ”- this is a small quote from the conversation of Peter and Paul with Plasticine. You feel it's time to take out the book and read from the first page, otherwise you won't understand anything. 
 
April 26, 2002
Paustovsky K.G. Golden Rose: A Tale. - L .: Det. lit., 1987. - 239 p.: ill. - (School library).
 The story of Konstantin Georgievich Paustovsky "The Golden Rose" (since 1955 - the time of his birth - has been published repeatedly). According to the writer himself, this is “a book about how books are written.” Read the story with which it begins. The story of how Jean Chamet, a Parisian garbage collector, collected dust for a golden rose is a vivid metaphor for creativity as such. “Every minute, every word and glance thrown by chance,” Paustovsky wrote, “every deep or playful thought, every imperceptible movement of the human heart, as well as the flying fluff of a poplar or the fire of a star in a night puddle, are all grains of gold dust. We, writers, have been extracting them for decades, these millions of grains of sand, collecting them imperceptibly for ourselves, turning them into an alloy and then forging our “golden rose” from this alloy - a story, a novel or a poem. What a price an accurately found word has, how ordinary details of life become facts of great art, how outstanding masters of literature worked on their books - read about all this in The Golden Rose.
 What a price an accurately found word has, how ordinary details of life become facts of great art, how outstanding masters of literature worked on their books - read about all this in The Golden Rose. 
Parandovsky Ya. Alchemy of the word: Petrarch: King of life / Per. from Polish. — M.: Pravda, 1990. — 651p.: ill.
Jan Parandowski is a well-known Polish writer, a major specialist in ancient culture. Perhaps no other book will reveal as many secrets of writing as his "Alchemy of the Word", written in 1972.
 During the Middle Ages, alchemists tried in their mysterious laboratories to obtain gold and silver from simple metals by means of the so-called "philosopher's stone". To their contemporaries, they seemed like magicians. Mastering the magic of the word, according to Parandovsky, is no less mysterious. The writer introduces the reader to the laboratories of the most famous "alchemists of the word" of different times and peoples, and among them are Russians - Gogol, Chekhov, Turgenev, Dostoevsky, Goncharov. It shows what an incredible effort of spirit was required, for example, by Flaubert, to create literally every page of his works. And Turgenev? While on the operating table, he chose words to accurately convey the sensations when a surgeon's scalpel penetrates his body.
 It shows what an incredible effort of spirit was required, for example, by Flaubert, to create literally every page of his works. And Turgenev? While on the operating table, he chose words to accurately convey the sensations when a surgeon's scalpel penetrates his body. 
“However, The Alchemy of the Word is not just a collection of curious information about great writers. This is a brilliant treatise on the psychology of creativity, which can be considered as an introduction to the art of writing, as well as to the art of reading,” Svyatoslav Belza described the book in the preface.
Olga Murgina
Lyrics - Operation Plasticine
Lyrics from the album "RAVE" (2019)
2019
 Anatoly Tsarev - vocals, guitars, keyboards, synthesizers 
 Ekaterina Zion-Knyazheva - violin, vocals 
 Ivan Klyushin - guitars, backing vocals 
 Mikhail Bushuev - bass, backing vocals 
 Sergey Zimarin - drums, samples 
 Evgeny Solovyov - band director 
 Andrey Zarkov - technician 
 Sergey Gorev - sound engineer , synthesizers 
Open text
Lyrics and chords "Cosmonauts" (2019, single)
2019
 Text and music: Anatoly Tsarev 
 Arrangement: Operation Plasticine 
 Recording, mixing, mastering: Dmitry Koryakin (Tambov) 
 Cover: Katya Orlova 
Open text
Cosmonauts
 F#m D A C# 
 What doesn't kill you, don't take it anymore us karmic carte blanche 
 Look don’t fuck, look don’t fuck 
 Suddenly the globe sways in silence, and we dance yo-yo-yo 
 And the youthful sparkle of our eyes predicts summer 
 Everything is no longer divided into yours and mine 
 And there are no prohibitions 
 F#m E A A 
 Around space x3 
 D D A E 
 Around astronauts x3 
 Five Mondays before summer the engine pulsates in the chest 
 And ahead of the night, cigarettes and days of smiles ahead 
 We are at the front door together and drowning in May district 
 You offer to come in and no "no" 
 And through the mesh of stockings, we blow smoke into the ceiling 
 And your lips are current . .. the lights go out
 .. the lights go out 
 Suddenly the globe sways in silence, and we are so yo-yo-yo 
 And the young sparkle of our eyes will predict summer 
 Everything has ceased to be divided into yours and mine 
 And there are no prohibitions 
 Suddenly the globe sways in silence, and we are so yo-yo-yo 
 And the youthful sparkle of our eyes will predict summer 
 Everything is no longer divided into yours and mine 
 And there are no prohibitions 
 And there are no prohibitions 
Lyrics from the album "Hungry and Evil" (2018)
2018
 Anatoly Tsarev - vocals, guitars, keyboards, synthesizers 
 Ekaterina Zion-Knyazheva - violin, vocals 
 Ivan Klyushin - guitars, backing vocals 
 Mikhail Bushuev - bass, backing vocals 
 Sergey Zimarin - drums, samples 
 Evgeniy Solovyov - group director 
 Andrey Zarkov - technician 
 Sergey Gorev - sound engineer, synthesizers 
 Recorded at the Joker studio (Tambov) in November 2017-January 2018. 
 
Open text
Lyrics and chords "All our dreams will come true this summer" (2018, single)
2018
 Lyrics and music: Anatoly Tsarev 
 Arrangement: Operation Plasticine 
 Recording: Dmitry Koryakin, Joker studio ( Tambov) 
 Mixing: Anatoly Tsarev 
 Cover: Alexey Mozhzherin 
Open text
All our dreams will come true this summer
 C - G - Am - F 
 flying into the abyss will not go astray, 
 and we will not forget their names. 
 the angels of the streets will help 
 keep their teeth through these yards. 
 Rollton today - Rolls Royce tomorrow. 
 in the yellow arrow - punk rock and wine. 
 C - E - Am - F 
 but this train is not waiting for anyone. 
 Am - F - C - G 
 all our dreams will come true this summer, 
 close your eyes and fly with me. 
 Am - F - C - G 
 city walls will tell about love 
 Am - E - Am 
 the meaning of life in the inscriptions on T-shirts 
 Am - C - E - Am 
 torn knees, a dozen partaks 
 F - E 
 our summer will be long 
 morning will spread on the roofs of houses. 
 
 on the air will turn crazy days. 
 my religion is love. 
 love free from bullshit. 
 hang from a shelf, drink bitter tea 
 and jump off the train in front of the bridge, 
 find your home in the July grass. 
 all our dreams will come true this summer, 
 close your eyes and fly with me. 
 the walls of cities will tell about love, 
 the meanings of life in the inscriptions on T-shirts, 
 torn knees, a dozen partaks - 
 our summer will be long! 
Lyrics and chords "Sleep on the runway" (2017, single)
2017
 Recorded by: Dmitry Koryakin, Joker studio (Tambov) 
 Mixing: Alexey Merganov 
 Lyrics and music: Anatoly Tsarev 
 Arrangement: Operation Plasticine 
 Synthesizers: Sergey Gorev 
Open text
Sleep on the runway
Em - D - G - D
 this is a dream on the runway: inside — love 
 greasing shines in the hair 
 ink has spilled under the skin — 
 I’m walking down the street alone 
 you’re walking down the street alone 
 it’s a dream on the runway 
 to leave the yards from the cops 
 and meet another dawn 
 to the recitatives of trains 
 we were connected by threads of roads 
 about you my every new track 
 but I hate Russian rock 
 and you hate Russian rap 
Chorus:
  Em - Am - G - H 6 
 we sing the hymn to broken knees 
 the long play is over 
 we put it on repeat 
 everyone will understand the rake 
 youth will forgive everything 
 it’s a dream on the runway 
 they don’t like our appearance 
 the way you sing in rush hour in the crowd 
 under the bit launched from the tablet 
 they don’t like everything that burns 
 we don’t like everything that doesn’t rush 
 spring justified maximalism 
 the rest in general doesn’t fuck. 
 
Lyrics and chords from the album "Volna" (2016)
2016
 Anatoly "Ryn" Tsarev - vocals, guitars, percussion 
 Alexei Razumov - bass guitar, backing vocals 
 Ivan Klyushin - guitar, backing vocals 
 Ekaterina Zion-Knyazheva - violin, vocals 
 Anastasia Uvarova - keyboards, synthesizers 
 Sergey Zimarin - drums 
 Recorded at the Joker studio (Tambov) in July-September 2016. 
 Release label: Soyuz Music (Russia). 
Open text
Lyrics from the album "Mayak" (2015)
2015
 Anatoly "Ryn" Tsarev - vocals, guitar, heart 
 Alexei "Frontman" Razumov - bass guitar, backing vocals 
 Ivan "Vano" » Klyushin - guitar, back vocals 
 Ekaterina "Koshka" Zion-Knyazheva - violin, back vocals 
 Anastasia Uvarova - keyboards, back vocals 
 Sergey "Zima" Zimarin - drums 
 Evgeniy Solovyov - group director 
 Sergey Mironkov - tour management 
 Tonya RadioMore - photo, video 
 O.P. – team – SUPPORT 
 ALBUM “LIGHTHOUSE” CREATED in July-September 2015. 
 
 RECORD - Joker Studio (Tambov). 
Open text
Lyrics and chords from the album "Pride" (2014)
2014
 Ryn - vocals, guitars, heart 
 Frontman - bass, vocals 
 Vano - guitars 
 Koshka -0 -0 violin , synthesizers 
 Winter - drums 
 Sergey Mironkov - management 
 OP-team - support 
 Album recording - Sergey Levchenko (AiB Records) 
 Mixing and mastering - Denis Yurovsky (Parametrica) 
Open text
Beautiful new world
Em - D - C - H
 warm, lamp, 
 May, matte, 
 unsolved 
 brave new world 
 revolution suffered in battles 
 for you and me 
 brave new world 
  Am  
 meanwhile the war 
  G  
 carloads of corpses 
 everything is nonsense 
 if we are young 
 just to live, just not to fall 
 to choke tomorrow, to crush this scum 9002? 
 will you stand up to your full height 
 or trouble 
 or again derailed 
 no one but us 
 this game is worth the candle 
 the sun is out 
 you need to light it up! 
  Am  
 and ruins 
  C  
 I'm writing a name 
 your name 
 your name 
 warm lamp 
 May matte 
 unsolved 
 brave new world 
 revolution 
 it's you and me 
 it's you and me 
 brave new world 
 hands are squeezing brass knuckles of enlightenment 
 the sun hits right in my eyes 
 and I have not a drop of doubt 
 which means not a step back 
 everything that we saw, heard, knew 
 everyone trampled, drank, sold 
 which means there is nothing more to lose, you hear 
 it means you are an orphan like me 
 punk rock inflates our sails 
 punk rock makes you believe in miracles 
 punk rock does not let me pull the trigger 
 punk rock. . punk -rock
 . punk -rock 
 heart beats in a frantic rhythm 
 blood boils in the temples 
 and every day, like on a razor's edge 
 I won't live to be forty 
 we rejected the whole adult world, sent it, 
 we were banned for too long 
 and now we have forgotten everything what we were taught 
 and learned to dream 
 punk rock sets our sails 
 punk rock makes you believe in miracles 
 punk rock won't let me pull the trigger 
 punk rock.. punk rock 
 years will pass, but the spirit of this time 
 in we are forever 
 and in the firmament of your enlightenments 
 the same star is 
 the past has passed, the future may not be 
 this is definitely about us 
 which means there is nothing more to lose, you hear 
 dance right here and now 
hide and seek
 It's just a game 
 But if you're lucky 
 If it's hot 
 You can hide like this 
 What to sit until the morning 
 cheers! 
 Where no one will find 
 Where there is whiskey and ice 
 Where it doesn’t hurt at all 
 And it doesn’t smear 
 Where they don’t know about death 
 Violet light 
 Where yours and mine 
 Will become ours 
 And from the chest the sun 
 And from the mouth the wind 
 We will hide and not be found 
 And the one who drives will not notice 
Knock-knock for yourself
 It's such a game 
 He counts to a hundred 
 And starts looking 
 If you're not a fool 
 Then run as fast as you can 
 there 
 Where no one can find 
 Where whiskey and ice 
 Where it doesn't hurt at all 
 And does not smear 
 Where they do not know about death 
 Purple light 
 Where is yours and mine 
 Will become ours 
 And from the chest the sun 
 And from the mouth the wind 
 We will hide and not be found 
 And the one who drives will not notice 
Knock-knock for you
Eternal high
  A — E — F#m — D 
 but something has changed forever 
 and it's a thrill 
 barefoot on a tile 
 feel the rhythm of the planet 
 and leave the house at noon 
 it's a thrill 
 to go smile at the sun 
 and meet wonderful people 
 towards - the shining city 
 and this is a high 
  A - E - F#m - E  
 eternal high 
 the best high 
 the main high 
 I will meet my best friend 
 he smokes one by one 
 as if something something happened 
 something is wrong 
 and we will smile at each other 
 we will sit in a tavern on the soviet 
 i will say, bro, take it easy 
 light cold body 
 and scatter my ashes over the sea 
 this is a buzz 
 and a warm salty wind 
 on the crowns of hundred-year-old trees 
 will play this melody 
 for everyone 
Hello, all this is me
 nerves are at the limit 
 and she no longer waits 
 when it is so hard to believe 
 when there is a lump at the throat 
 when your flight is wrapped around your neck 
 
 fall 
 to the very bottom 
 but always remember 
 that you create everything yourself 
 you did it all yourself 
 fall 
 to the bottom 
 but always remember 
 that you did it all yourself 
 you did it all yourself 
 believe in miracles 
 believe in miracles again 
 hello, all this is me 
 pieces of paper a little bit 
 nervously 
 hello, this garbage 
 is written correctly from my words 
 hello, all this is me 
 and instead of bulls in the ashtray syringes 
 hello. goodbye.
 goodbye. 
 I fell in love again 
 and again with you 
The whole of the holes
 Short 
 Patients 
 Updated 
 Dreams 
 in the narrowed pupils 
 In the wounds of the wounds 
 BUSINESS BUSINESS 
 Show them all the 
 Week 9000,000,0002 something growing, 
 are laughing, 
 is laughing. And it sounds from all sides 
 The deafening sun 
 licks the Pacific Ocean 
 but it's just God 
 crazy in love with us 
 this is what does not let you fall 
 is something that keeps you from falling 
 is something that doesn't let you fall 
 is something that doesn't let you fall 
Astronauts
  F#m - D - A - C#  
 something that doesn't kill you 
 don’t take it anymore 
 and from what doesn’t insert 
 run-run-run 
 we are minions of fate, which means 
 we have a karmic carte blanche 
 look, don’t fuck 
 look, don’t fuck 
  F#m — D - A - E  
 suddenly the globe sways in silence 
 and we dance, yo-yo-yo 
 and the youthful sparkle of our eyes 
 will predict summer 
 everything is no longer divisible by 
 yours and mine 
 and there are no prohibitions 
  F#m - E - A  
 around space 
 around space 
 around space 
  D - A - E 
 
 cosmonauts around 
 5 Mondays until summer 
 the engine pulsates in the chest 
 and the night ahead, cigarettes 
 and days of smiles ahead 
 we are at the front door together 
 and the area is drowning in May 
 you suggest to come in 
 and no "no" 
 and through a net of stocking 
 We let smoke into the ceiling of 
 and your lips current 
 will go out light 
Levitations
  EM - D - G - D  
 The road will submit to the 9,0004 Heaven or at least take off 
 here everything is ephemeral 
 but real 
 and everything pulsates to the beat of Him 
  Gm - D - Em - C  
 and these vibrations 
 do not let you sleep at all 
 rainbows are pouring from all holes 
 this song is stupid - 
 hymn of levitation 
peace to the world!
 we are scattered for quotes 
 posters, posters 
 and as if to spite gravity 
 Yesterday in Amsterdam, 
 today here in St. Petersburg
 Petersburg 
 tomorrow somewhere else and 
 and these vibrations 
 do not let you sleep at all 
 rainbows pour from all holes 9002 this song is wise - 
 hymn of levitation 
world - peace!
 everyone is equal, it doesn't matter 
 there is no ideal 
 it all depends on what kind of prism is in the head 
 
 state - thought 
 change - also 
 when you fall down 
 meaning is to.. 
G - H - C - D this strange disco
Spasibo!
D — E — A — F#m
 I am grateful for everyone who is here 
 for the full hall, smiles and laughter 
 for the fact that my track 
 is heard on the radio from every stall 
 when you appreciate what you have 
 you always achieve more 
 I am grateful for hundreds of roads 
 for our convenient, cool multivan 
 for the fact that the sound rocked this club 
 for the concert tomorrow again 
 for what you give - will be back twice 
 remember this simple recipe 
A — F#m — D — E
 thanks for the sun 
 thanks for the sea 
 for the hot summer 
 and the dance floor 
 thanks for the space 
 thanks for the mom 
 D 
0246 
 and for Ukrainian marijuana 
 
D — E — A — F#m
 I rejoice to all those who are here 
 to all those who are with me here and now 
 to all those who once betrayed me 
 and made it a thousand times stronger than 
 when you fly and burn bridges 
 you don't have to be afraid of your height 
 I'm grateful for the shelf in the compartment 
 for strong strings and smooth action 
 so easy to write when spring is inside 
 the world smiles at those who are happy for it 
Don't kill us (we're in Love)
  G - D - Em -C  
 dancing on the edge 
 dancing non-stop 
 in blue fog 
 delirious strobe lights 
 I close my eyes 
 and walk 
 everything I know 
 has always been there 
 I am grateful for this gift 
 for the shooting stars 
 for those who are with me today 
  C — D -Em  
 eventually , we are all brothers and sisters 
 branches of the same tree, warm springs 
 in the end, we are all children of the beautiful earth 
  G - Em - A - D  
 don't kill us, we're in love 
 don't kill us, we're in love 
 don't kill us, we're in love 
 with you 
 dancing madness 
 dancing on the verge 
 the main thing is 
 calling your mother 
 when you left home in winter 
 and returned - water 
 the hall sings with us 
 at every concert 
 every moment in this action 
 priceless 
 every moment is glued to the heart 
 forever 
Someone else's pain
Dm - A# - F - A
 Selfishness, silence, indifference, coldness 
 This is what I see in the eyes of millions 
4 But still there is hope 9.
 04 burning that there will be more birds than rats..
 04 burning that there will be more birds than rats.. That there is nothing in the world
that would be equally divided
After all, even life never
breaks in half..
And if the war marches through the city
Someone dares to say "No pasaran!"
 someone else's pain 
 it's not your problem 
 someone else's death 
 it's not your trouble 
 turn away and leave 
 without holding out your hand 
 remain silent, close your eyes 
 compassion, love, understanding, faith 
 this is what I'm looking for in the eyes of millions 
 and yet all Souls are stained with gray 
 there is hope to find, there is hope that 
 the world will become cleaner.0006 
 it's not difficult at all 
 it's not difficult at all 
 you just have to dare to break 
 you just have to dare start 
 with yourself. and you 
 can become a stranger to everyone 
… 
 even to yourself.0004 I feel my pulse 
 I feel my pulse 
 and never ask God for anything 
 I just dance 
 I just laugh 
  F#m — D — A — E  
 how not to lose the wave? 
 not go under? 
 how to get up from your knees, 
 when you have no strength? 
 with Lucy in the clouds, 
 forgetting about fear. .
 . 
 the rustle of the morning stars 
 in our headphones 
 apples are falling into the sky 
 the day will be hot 
 I feel the pulse 
 I feel the pulse 
 when there is nothing - nothing is a pity 
 I just sing 
 I wake up 
 how not to lose the wave? 
 not go under? 
 how to get up from your knees, 
 when you have no strength? 
 with Lucy in the clouds, 
 forgetting about fear.. 
 the rustle of morning stars 
 in our headphones 
Lyrics and chords from the album "Euphoria" (2012)
2012
 Ryn - guitars, voice 
 , voice 
 Vano - guitars 
 Koshka - violin, voice 
 Winter - drums 
 Sergey Levchenko - keyboards 
 Always with us - tonitch and OP-team. 
Sound engineer and architect of the album — Sergey Levchenko
Open text
STRONGER
 we need to get stronger, 
 learn to hold the beats 
 not lie, not grow old, 
 get up for the first couple 
 at nine, 
 is much longer, 
 than if you oversleep until lunch) 
 and you can make it . .
 . 
 because the whole world is not enough. 
 we need to get stronger, 
 learn to take punches 
 we should be silent, 
 when our loved ones are buried 
 go to the end 
 and remember the forgotten heroes 
 keep our honor 
 and firmly shake hands with each other 
 there is so much in us, 
 and we all will not leave the circle 
 we need to appreciate 
 all those who is of the same blood with us 
 learns to love 
 let them consider us fools 
 learn to forgive 
 and obey a wise conscience 
 give, give, let go 
 beautiful, open, worthy 
 we should write 
 paper warm letters 
 fearlessly dream of 9,0004 to protect your first and close 
 to be able to leave, 
 forget about the distant old age 
We will love to keep shocks
,inside myself I dance
HMGO Come to see
G
, as I dancing
Hm
come see
G
how I dance
F#
how I dance without legs
on a spitting dirty floor (Hm)
 come see 
 how I draw 
 come see 
 how I draw 
 how I draw without hands, 
 dipping brushes into the moon 
  G F#  
 boy in striped pajamas 
 he has no chance4 in difference 9000 from you 
  Hm — G — D — A  
 break down 
 your own Auschwitz 
 break down 
 your own Dachau 
 you have the strength to do it 
 you have the right to do it 
 so break it! 
 your own Auschwitz 
 Break 
 Your own DAAKHAU 
 LOME 
 Your own Maidanek 
 LOME 
  G  
 inside I dance 
  A  
 inside myself I dance 
  HM  
 I dance 
 9024 A 
00 SECROURT INOURE SU dancing
 I'll tell you 
 where I'm flying 
 I'll tell you 
 where I'm flying 
 where I'm flying when 
 I close my sore eyes 
 come see 
 how I'll melt 
 come see 
 How I melt 
 and shoot a thousand birds 
 in heaven 
JAS
  A  
 Previously 
  E F#M  
 We were younger than 
  
 Further  E F#m 9000 (C#)  
 drank at night 
 went to bed in the morning 
 and where we were just not carried 
 how we were just not thrown 
 we searched, found 
 lost again 
  A - C# - F#m - E  
 small met us dumb clubs 
 kisses on the lips 
 thousands of roads 
 because we played rock 
 now we are older than 
 but, as before 
 we take everything higher 
 we throw further 
 we dance at night 
 we go to bed in the morning 
 and where we just didn’t wear 
 just didn’t throw us 
 nothing has changed 
 nothing has changed 
  C#5 - H5 - C#5  
 just now. 0006
 0006 
 and after years 
 everything is still in fashion 
 simple rhythms 
 of our melodies 
 on the first lines 
 of all hit parades 
 and in nominations for grammy 
 on the air of all TV channels 
 our faces, our songs 
 and we are not enough 
 THE BEST DAY  
Em-C-G-D
 today we can 
 swim behind the buoys 
 today we can 
 dance in the rain 
 today we can 
 draw freehand circles 
 together 
 today we can 
 carry a plan in our pockets 
 and not even think 
 about what will happen next 
 today we can 
 forget our names 
 and hear how souls 
 talk about their 
Em-Am-C
 in the best day 
 the best day 
 today we can 
 walk a red light 
 today we can 
 even multiply by zero 
 today we can 
 forget that we are not there 
 and just be alone 
 
 today we can 
 release animals from cages 
 today we can 
 kiss and sing 
 today we can 
 afford 
 wish it was 
 every day 
 the best day 
 the best day 
SICTUR ASTRA
G-D-Em-Am
 one day 
 we'll get younger 
 and ray 
 like shatters 
 I'm ok 
 For a wonder 
 we'll get younger 
 one day 
0004 I can be mistaken 
 And in fine, fall flat on the ground 
 and never get up 
 But this world 
 is amazing 
 and sodded by miracles, 
 whatever you need 
 And I smile 
 thinking of it a way to dream 
 sic itur ad astra 
 One day 
 we'll get higher 
 and fly 
 like martlets 
 I understand 
 what thwarts my desire — 
 I'm afraid to do the last step 
 it's a way to dream 
 sic itur ad astra 
EVERYTHING IS ALREADY IN US
  G-H-Em-C  
 the sound is tuned, the audience froze in silence 
  G-H-Em-Am  
 the drummer sets the rhythm 
 and slides along the fretboard to the rhythm of the microphone 
 I read the microphone 
 
 
 and I sing about what is in each 
 and I knock on the hearts of the roof with rain 
 cleanse your karma, brother, 
 step on the pedal, let everyone hear 
 if you beat, then so that the enemy falls 
 if you drink, then to binge 
 and love to make the world cry 
 for the world to remember forever - 
  G-H-C-D  
 everything is already in us 
 everything is already in us 
 everything is already in us 
  G-H-C  
 revolution. Here and now.
 Here and now. 
 all prayers, all psalms, sutras 
 and texts in different languages 
 at a single sound frequency 
 we have known since childhood 
 how to hang around, but avoid an injection 
 how to get up from your knees when it’s bad 
 run along the ground in your arms to God 
 and leave, leaving the light in the windows 
 just need to stop wasting 
 dropping everything that pulls down into the abyss 
 say to yourself: enough is enough! 
 kill yourself, resurrect 
 and then the wave will cover the city 
 thousands of lights will explode together 
 will remain young forever, 
 he who can dance with his heart 
REWIND. REPEAT
  F#m C#  
 and hear the whisper of doctors' gowns 
  A C#  
 squirm like an inflorescence of wounds 
  F#m C#  
 heart Morse code - "goodbye" 
0246 
 And everywhere the lights of these lamps 
  F#M HM  
 from twenty -third frame ago 
  A E  
 Crazy tram fly 
  F#M HM  
 in the first introduced May 
  A E  
 REWIND. rewind.
 rewind. 
 and feel the trembling of exhausted hands 
 fall into a black tunnel, into nowhere 
 the nurse will smile and suddenly 
 spring will gush out of the catheter 
 this sharp word “hurts” 
 a whisper breaks from the lips: “be quiet” 
 so granite becomes dust 
 repeat 
 and see the world inside out, through 
 understand that there is no way back 
. solution 
 is pouring from droppers and so quickly it gets dark in the eyes 
 not being afraid of not being able to do something 
 not being afraid of losing something there 
 not being afraid of something not finishing singing 
 not getting up 
SHUT UP AND KISS ME
  C#m — H  
 paste 
  C#m — H  
 light in the heart 
  C#m — H  
 first snow 
  A  
 loud laugh 
  E - h  
 and fall 
  E - h  
 higher than all 
  E - h  
 higher than all 
  A  
 above all 
 Place 
 I are your 
 I am your 
2
 in the morning 
 crash again 
 and lose 
 and lose 
  A - H  
 but for now I'm a little bit yours, 
  E - H - A  
 and you're a little mine 
  E - G# - C#m - A  shut up and kiss me 
 shut up and kiss me 
 Fight 
 like a lion 
 Brave Lion 
 Strong Leo 
 Psycho-
 Therapist 
 will give advice 
 and recipe 
 Wise 
 NEVER 
 to regret 
 Morning 
 and take off 
 and fly 
 but while I'm a little bit yours, 
 and you're a little mine 
 shut up and kiss me 
 shut up and kiss me 
MY euphoria
  C  
 the first of March on the calendar 
 the sun is dancing reggae in the sky 
 I get out of the pantry oh-e 
  G  
 great and sneakers 
  C-G-Am-F  
 winter depression empty melancholy 
  C-E-Am-G  
 it was all circles under the eyes  
 but it's over, ha! 
 and doesn't soar anymore 
 it's great to sing that inside 
 be harmonious, open and honest 
 and don't give a damn about dissonance of rhyme 
 as well as banal lyrics 
F — G
  C — E — Am — F 
 this is my euphoria 
 my euphoria 
 my 
 so tired of similar days 
 hiding cold fingers in gloves 
 something is shining and beating in the chest 
 and ready to explode 
 windows will open towards the rays 
 everyone will come out with smiles already 90 in us, the rest (goodbye!) - 
 is no longer needed 
 the world will throw off hats and down jackets 
 the world will break these gray chains 
 the world will go nuts from our love 
 bright and eternal 
 this is my euphoria 
 my euphoria 
 my 
  F — G — C — Am  
 open your eyes 
 fall in love with life 
 and dance, 
 catch the ecstasy 
 forget your fear 
 and just be here and now 900 60 
THANK YOU FOR SPACE!
  C - Am - Em - G  
 breathe 
 just breathe easily 
 with the whole universe in time 
 pure substance 
 in our hands with you 
 his name is Love 
 color - emerald May 
 just don't forget 
 breathe 
  F - G - C - G  
 thanks for space 
 thanks for space 
 thanks for space 
 breathe 
 can you hear that pulse? 
 feel this current? 
 laugh, bet, dance 
 until you hit your feet 
 bullets in milk 
 birds in the clouds 
 love will tear us apart 
 just close your eyes 
 breathe 
 thanks for space 
 thanks for space 
 for space outside 
 and space inside us 
6  C - E - Am - F  
 and space inside us 
 and space inside us 
 and space inside us 
DO NOT BREAK US!
 do not break us! 
 cordons of cops 
 knives of poisonous words 
 obstruction of stupid show-offs 
 we will not be broken! 
 diseases, wars, camps 
 fierce street battles 
 persecutors, traitors 
 we will not be broken! 
 grins of ferocious dogs 
 false ravings of scoundrels 
 and the smog of our cities 
 will not break us! 
 while standing shoulder to shoulder 
 while I'm still breathing 
 we will survive, we will fight again 
 and win! 
 don't break us! 
 laws, prohibitions 
 military IDs 
 executions, rockets 
 can't break us! 
 judges, ministers, kings 
 columns of heavy fire 
 ever higher flag on our ships 
 do not break us! 
 getting up, wipe the blood from your face 
 stand until the very end 
 while our hearts are burning! 
 don't break us! 
 here everyone is afraid of change 
 but we get up, get up off our knees 
 but we get up off our knees 
Lyrics and chords from the album "Lucky Sevens" (2011)
2011
 Rhine - guitars, voice 
 Frontman - bass, guitars , voice 
 Vano - guitars 
 Koshka - violin, voice 
 Winter - drums 
 Sergey Levchenko - keyboards 
 Always with us - tonitch and OP-team. 
 
 Sound engineer and album architect — Sergey Levchenko 
 Euphoria was recorded at AiB Records studio (Moscow) in 2012. 
Open text
In the eyes of their Cain
 H5 E5 D5 A5 G5 
 and the strings scratched fingers 
 and hands treacherously froze 
 they threw stones at the wanderers 
 not knowing what vulgarity meant 
with an open bottom and in ink
once they were blue
flowed in the veins at the pen
 G5 A5 H5 
 if love is fake 
 G5 A5 H5 
 if you believe today it is banal, 
 G5 A5 F#5 
 then can you watch 
 F#5 H5 G5 D F#5 
 in the eyes of his Cain..? 
 so lines are torn in dotted lines 
 stars light up in churches 
 so slams the door of an apartment 
 one who will never return 
 so they fall in a drunken stupor 
 so veins tremble from parishes 
 lips are erased in blows 
 soldiers take the city if - 
6 this is nonsense, 
 if you believe today is trite, 
 can you become Bonnie Elizabeth 
 for your Clyde? 
Stay Young!
 Bb5D
 oh, do you know 
 G5 
 what do you want? 
 D#5 
 do you know how to get it now? 
 look around 
 everyone 
 is not an enemy 
 for you 
 just believe in dream 
 and don’t lose your chance 
 unlock your brain 
 and dance with us! 
 free your mind 
 and dance, dance! 
 Bb5 
 stay young! 
 F5 
 stay punk! 
 G5 
 dreamer! 
 D#5 
 winner! 
 Bb5 
 catch your 
 F5 
 fire 
 D5 
 and never let it go. .
 . 
 oh, yeah I know 
 when a sorrow 
 interlace like a needle under skin dream 
 and don't lose your chance 
 unlock your brain 
 and dance with us! 
 free your mind 
 and dance, dance! 
 I will fade with you 
 I will shine with you 
 I will sing with you 
 like a shocking blue 
 I will fight for you 
 I will fight with you 
 I will.. never let you go.. 
Whales
 Whales never age. 
 Whales are destroyed. 
 Thrown out onto the sharp shore. 
 Smiling. 
 Losing consciousness, dancing insane steps. 
 Whales smell the universe with their wounds. 
 They sing, bleeding through the larynx. 
 And after life they turn into clouds. 
 Whales don't give up. 
 The whales are fighting. 
 They do not forgive. 
 They say goodbye. 
 And the ocean roars with their despair. 
 They don't forgive. They say goodbye. 
In the diamond skies
 Hm 
 one-two, one-two 
 columns of soldiers 
 go to peaceful cities 
 G 
 yes to girls, guys 
 one-two, one-two 
 fat planes 
 and 
 dragging their bellies 
 Em 
 we. . we.. we..
 . we.. we.. 
 Am 
 we will laugh wildly 
 G 
 in spite of these bombs 
 H5 
 in the diamond sky shine.. 
 G 
 shot.. 
 H 
 Em C (Am) 
 paper crane 
 G H Em C 
 lost altitude at the moment 
 I hold your hand 
 and we are not afraid of 
 the taste of our own blood in the mouth 
 one-two, one-two 
 burning hospitals, houses 
 blood runs in a stream 
 shrapnel wounds 
 one-two, one-two 
 war knocking on the door 
 with the grin of a rat giving 
 the order to die 
 And.. and.. and.. 
 the world will be different, 
 when we open our eyes.. 
 and more there will be no war 
Kurt Cobain
 Am F 
 I have fucking sneakers 
 C E 
 I have a striped shirt 
 Am F 
 Reggae is in my head 
 C E 
 But I'll never bring Kurt Cobain back 
Hm on her
 Hm a bunch of fennecs in her hands 
 D F# 
 She loves beautiful things 
 Hm G 
 She has a friend Volodya 
 D F# 
 But she will never resurrect Kurt Cobain 
 C#m A 
 And those in tracksuits 
 E G# 
 Who have an IQ somewhere around 8 
 C#m A 
 They have moms and dads too 
 E G# 
 But they never knew about Kurt Cobain 
 D#m H 
 And there on Jah's cloud 
 F# A# 
 He can give us food and clothes 
 D#m H 
 He can give us hope for tomorrow 
 F# A# 
 But he will never resurrect Kurt Cobain 
Stamps
C, E, Am, F
 don't lie 
 don't betray 9006 may build 
 in my heart a knife 
 stick 
 my dear cain 
 mark 
 Stick 
 Watch Hentai 
 NOT LIGS 
 Do not betray 
 DO NOT WAY ALSE 
 Do , Am 
 young lovers never die. .
 . 
 so are u 
 so am I 
Dragonfly
C#m, A, E, G#
 here in this jar it's cold and empty 
 and I'm swallowing cold air with my mouth 
 memory spins a film about what has passed 
 puff sister, it will be good 
 C#m A E 
 you paint me with rain 
 G# 
 on the asphalt of the city 
 C#m A E 
 this is what we two are together 
 G# 
 we call "forever" 9002 G# 
 colorful eyes 
 G# 
 origami clouds. 
 C#m A E 
 life is a dragonfly 
 G# 
 with spring at the temple 
 here, in this jar, fingers freeze 
 breaking, the voice does not fall into "mi" 
 we will die without looking into Paris 
 come in, sister, why are you standing at the door? 
 it’s almost dark outside the window 
 and almost nothing is visible 
 only my funny body 
 under the coat 
 you draw me rain 
 on the pavement of the city 
 this is what most 
 call “nonsense” 
 the heart cries and trembles 
 and in the eyes fires are burning 
 how great it is to live, 
 without touching the ground 
Moron
 Stepping into nirvana. .
 . 
 You will become a Buddha.. 
 I will stay.. 
 On a cold morning.. 
 In empty pockets.. 
 Because I'm a moron 
 I invented it myself 
 And destroyed it myself 
 With an autumn shower 
 All our temples.. 
 You say that anatomy 
 This is when 
 I am part of the whole parts 
 This whole is falling apart 
 This whole is falling apart 
 Through post-rock puddles 
 Hand in hand with someone 
 After all, only the right one 
 Knows that the sky 
 Can be gentle 
 After all, only the one who 
 Knows how to fly 
 Knows how to fall 
 Knows that the sky 
 Actually happens 
Stepping into nirvana.
and fly
 A 
 Words rhymes 
 E F# M 
 and rain on the street 
 C# A C# 
 And you and I are in the entrance 
 F# M Hm 
 We kiss 
 Planet spin 
 Come on 
, all are glued together 
 everyone will succeed 
A, E, F#m, C#
 and fly 
 higher, higher 
 we want so much 
 stars, roofs 
 for you and me 
 there is no limit 
 just crawl 
 tired 
 dreams come true 
 in subway4 city 
 melts in Celsius 
 and we are beautiful 
 so different 
 and our songs 
 are on the radio today 
Reggae
C, G, Am, F
 I would like us all to live in the same house 
 and if would leave, then not for long 
 to drink coffee together in the morning 
 and squint from the April sun 
 and I would like you to become 
 the happiest creature in the world 
 C E Am F 
 and see the sea every day 
 and see the sea every day 
 I wish I would like our sneakers 
 to stand in the hallway and we would confuse them every morning, running about our business 
 and in the evening we would sing together with a guitar 
 and see off the sunsets on the roofs 
 I would like you to always wake up with a smile 
 and one day 
 came out of the kitchen in a chintz dress 
 came out of the kitchen in a chintz dress 
 to me. music is always playing
 music is always playing 
 where it is always warm and cozy 
 and I would like to wander 
 in the imagination of Tove Jansen 
 falling asleep on a cloud pillow 
 smiling at such happiness 
To the rhythm of purple hearts
 Hm G F# 
 Well, at least The sky can't be polluted 
 With your bottles, steers 
 We want the sky to be home 
 G# (modulation) 
 For those who fly 
 C#m A G# 
 We want the girls even in the morning 
 Don't spare us a smile 
 And the boys shaving at night, believing 
 that tomorrow they will certainly wake up 
E G# C#m A
 and there will be a new day 
 new dances, dreams, poems and songs 
 to the rhythm of purple hearts 
 you can’t stand still 
 Good, at least someone is still awake0004 Someone else is beating the drums 
 And going in the heat of his prayers 
 Flew out of a coma into nirvana 
 We want the sun to take off into the clouds 
 Give us eternal summer 
 We want to play the fool and not remember 
 about wounds, not to think about death 
 and there will be a new day 
 new dances, dreams, poems and songs 
 to the rhythm of purple hearts 
 you can’t stand still 
wai-wararurai-wapparapapay
Roof, boy and owl
 A, E, F# m, D 
 A, E, F#m, Hm 
 The boy was walking, the owl was flying, 
 The roof was going home, 
 This roof did not want to 
 Sleep outside in winter. 
 
 Two camels were washing the saucers 
 And firewood was meowing, 
 I was waiting for the return 
 The roof, the boy and the owl. 
 The sofa is sleeping with me in an embrace, 
 The snow is dancing above my head, 
 Suddenly I hear - the button beeped 
 The boy with the roof and the owl! 
 I from this bimbom 
 Became a song for words, 
 I sing when everyone is at home - 
 Roof, boy and owl. 
 The boy was walking, the owl was flying, 
 The roof was going home - 
 That's what it was like 
 Wednesday evening in winter 
(The song was written to the verses of J. Moritz)
Flat G4
 We are with you learning musical notation 
 G Em 
 We put quarters on rulers made of veins 
 C D Em 
 Angels come to us at night 
 C D Em 
 And they sing dumb songs with us  
 G Em 
 You and I learn musical notation 
 G Em 
 key like a straw 
 C D Em C 
 Measure mood in grams. .
 . 
 G 
 And then what.. 
 H 
 Don't give a damn.. 
 Em C 
 Barcodes on our hands 
 G H Em 
 A piena voce we sing 
 C in 90 We bite the lips 
 g h em 
 The silence and pain 
 for pain 
 from 
 for pain 
laugh
people
H
Buy newspapers
 EM 
 people 
 people 
 AM 
 wear headphones 
 hide their eyes behind glasses 
 create billions of worlds 
 stories, 
 guns with which each other 
 hurt each other 
 in the most. 
 and I just want to touch your pulse 
 with my lips 
 and it will stop 
 realizing that it is powerless 
 Em C G H 
 we are the children of spring 
 we do not get older 
 and as long as there is at least a little more grass in the box 
 we never get tired of laughing 
 we burn bridges 
 and it's not scary anymore 
 and as long as we believe in our sick dreams 
 we don't get older 
 people 
 people build rockets 
 and fly rockets 
 into space 
 and sing along with guitars 9004 such funny songs 
 but it seems to me that if. .
 . 
 suddenly there is no more spring, 
 then none of them 
 will notice anything. 
 of your photographs 
, looking up from the dusty land 
, you fly away 
 on lilac wings 
, having lost the need for boots .. 
Floks
 needles 
 
 air 9000,9000 Flashbacks 
 do not allow to destroy 
 half a year of the past 
 My relationship with 
 fidelity 
 comes down to whoreness 
 Your needles 
 under the erased sky 
 birds 
 Swallows also have souls 
 It also happens to 
 pain 
 Pour 
 Suicide 
 Suicide 
 Bits of Love 
 9000 head 
 to throw them at the native window. 
 but.. 
 no. 
 I am chained to this city. I am captured 
 captured 
 by memory, hospital corridors.. 
 topics, 
 that I am ready to let go by blowing on my palm 
 and that 
 that is really expensive. Spring 
 runs like streams over the skin 
 and it seems puddles - 
 just static rain 
tell me, are you waiting for me?
I love you
 I love you without memory 
 Without pale 
 Like a box in your pocket with salvia 
 And, in general, the cops don't give a fuck about it 
 It is an occasionally 
 meekly 
 in a whisper 
 I love you mercilessly 
 without rules 
 as if there are no Fair Playy 
 and bets 
 as if we have love 
 for finishing 
 rhymes 
 jeans with torn 
hearts
 that hearts 
 do not get older. .
 . 
 enlightenments smell like 
 cough syrup 
 peace on a thin needle 
 suddenly ceased to be needed.. 
 to get closer to the sun 
 you can just become a puddle 
 evaporate, saying goodbye, 
 becoming ephemeral. 
 they always have spring.. 
 and cold fingers 
 it is always easier to fly away 
 than to return 
 they have wind under their skin 
 and look.. sadly in love 
0002 forgetting about the miracle.. 
 seeing only carrion.. 
 people break like that, 
 tired of falling.. 
 and lips to cheek.. 
 just to know that you breathe.. 
 and walk on water.. 
 how on cloud roofs .. 
 In this tart April 
 from separation .. To separation .. 
 I GOGED 
 Your tender hands .. 
Revolution
 feels wear out 
 
 people 
 are curled up 
 
 tanks 
.0004 They are just so arranged 
, in the likeness of the image, Concealed 9000,
 by errors in the instructions of 
 glued 
 go along the avenues 
 Spring 
 Scattered 
 Step a step of the sole 
 of them, they fall off 
 troops 9000,
 Summer behind the cabinet 
 hidden 
 new heroes until 
 is expected 
 "revolution 
 is near!" 
 yeah. 
 











