Rhyming words for them

Near rhymes with themB-Rhymes | B-Rhymes

  Word Pronunciation Score ?
1 exempt egzem_t 2284 Definition
2 ahem uhhem 2273 Definition
3 hem hem 2273 Definition
4 phlegm f_lem 2273 Definition
5 hemp hem_p 2273 Definition
6 stem s_tem 2273 Definition
7 contemn kuhntem 2204 Definition
8 contempt kuhntem_p_t 2204 Definition
9 attempt uhtem_t 2204 Definition
10 quem k_wem 2204 Definition
11 kemp kem_p 2204 Definition
12 tempt tem_p_t 2204 Definition
13 clem k_lem 2204 Definition
14 thames tem_z 2204 Definition
15 unkempt ankem_p_t 2204 Definition
16 thence dhen_s 2198 Definition
17 then dhen 2198 Definition
18 resent rizen_t 2189 Definition
19 vent ven_t 2189 Definition
20 revenge riven_j 2189 Definition
21 represent reprizen_t 2189 Definition
22 reinvent reeinven_t 2189 Definition
23 invent inven_t 2189 Definition
24 prevent p_riven_t 2189 Definition
25 misrepresent misreprizen_t 2189 Definition
26 zen zen 2189 Definition
27 event iven_t 2189 Definition
28 circumvent serrkuhmven_t 2189 Definition
29 avenge uhven_j 2189 Definition
30 suspend suhs_pen_d 2178 Definition
31 offend uhfen_d 2178 Definition
32 offense uhfen_s 2178 Definition
33 suspense suhs_pen_s 2178 Definition
34 strength s_t_reng_th 2178 Definition
35 unspent ans_pen_t 2178 Definition
36 overspend uh_uuvuhrs_pen_d 2178 Definition
37 percent perrsen_t 2178 Definition
38 sen sen 2178 Definition
39 stench s_ten_ch 2178 Definition
40 spent s_pen_t 2178 Definition
41 spend s_pen_d 2178 Definition
42 spence s_pen_s 2178 Definition
43 french f_ren_ch 2178 Definition
44 sense sen_s 2178 Definition
45 send sen_d 2178 Definition
46 sent sen_t 2178 Definition
47 scent sen_t 2178 Definition
48 forfend fawrfen_d 2178 Definition
49 cent sen_t 2178 Definition
50 expend eks_pen_d 2178 Definition
51 cents sen_t_s 2178 Definition
52 distend dis_ten_d 2178 Definition
53 dissent disen_t 2178 Definition
54 dispense dis_pen_s 2178 Definition
55 descent disen_t 2178 Definition
56 descend disen_d 2178 Definition
57 defense difen_s 2178 Definition
58 comprehend komp_rihen_d 2178 Definition
59 defence difen_s 2178 Definition
60 consent kuhnsen_t 2178 Definition
61 concent kuhnsen_t 2178 Definition
62 expense eks_pen_s 2178 Definition
63 befriend bif_ren_d 2178 Definition
64 extend eks_ten_d 2178 Definition
65 apprehend aaprihen_d 2178 Definition
66 hence hen_s 2178 Definition
67 hen hen 2178 Definition
68 friends f_ren_d_s 2178 Definition
69 friend f_ren_d 2178 Definition
70 defend difen_d 2178 Definition
71 ascend uhsen_d 2178 Definition
72 fend fen_d 2178 Definition
73 fence fen_s 2178 Definition
74 ascent uhsen_t 2178 Definition
75 fen fen 2178 Definition
76 assent uhsen_t 2178 Definition
77 extent eks_ten_t 2178 Definition
78 condescend kondisen_d 2178 Definition
79 rpm arrpeeem 2159 Definition
80 ibm ah_ibeeem 2159 Definition
81 preempt p_reeem_p_t 2159 Definition
82 m em 2159 Definition
83 em em 2159 Definition
84 trench t_ren_ch 2109 Definition
85 trend t_ren_d 2109 Definition
86 trent t_ren_t 2109 Definition
87 unclench ank_len_ch 2109 Definition
88 quenched k_wen_ch_d 2109 Definition
89 repent ripen_t 2109 Definition
90 retrench rit_ren_ch 2109 Definition
91 superintend suupuhrinten_d 2109 Definition
92 tenth ten_th 2109 Definition
93 tense ten_s 2109 Definition
94 tend ten_d 2109 Definition
95 tench ten_ch 2109 Definition
96 ten ten 2109 Definition
97 tashkent taashken_t 2109 Definition
98 subtend suhbten_d 2109 Definition
99 tent ten_t 2109 Definition

What is B-Rhymes?

B-Rhymes is a rhyming dictionary that's not stuck up about what does and doesn't rhyme. As well as regular rhymes, it gives you words that sound good together even though they don't technically rhyme.

Words That Rhyme with Them - Them Rhymes

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We found 119 rhymes for Them

You can browse the rhymes for Them below. Click on any word to find out the definition, synonyms, antonyms, and homophones.

Rhyme Len. Syllables PoS
Alum 4 2 noun
Ancrum 6 2 noun?
Baucum 6 2 noun?
Become 6 2 verb
Behm 4 1 noun?
Bem 3 1 noun?
Bethlehem 9 3 noun
Blehm 5 1 noun?
Bluhm 5 1 noun?
Boyum 5 2 noun?
Brehm 5 1 noun?
Brem 4 1 noun?
Brum 4 1 noun?
Brumm 5 1 noun?
Bum 3 1 noun, verb, adjective satellite
Cardizem 8 3 noun
Chem 4 1 noun?
Chum 4 1 noun
Clem 4 1 noun?
Clum 4 1 noun?
Come 4 1 verb, noun
Condemn 7 2 verb
Crum 4 1 noun?
Crumb 5 1 noun, verb
Crumm 5 1 noun?
Cum 3 1 noun
Dehm 4 1 noun?
Demme 5 1 noun?
Diadem 6 3 noun
Difm 4 1 noun?
Drum 4 1 noun, verb
Dum 3 1 noun?
Dumb 4 1 adjective satellite
Dumm 4 1 noun?
Em 2 1 noun
Emme 4 1 noun?
Exum 4 2 noun?
Femme 5 1 noun?
Fm 2 2 noun
From 4 1 noun?
Frum 4 1 noun?
Gem 3 1 noun
Gemme 5 1 noun?
Glum 4 1 adjective satellite
Gmbh 4 1 noun?
Grum 4 1 noun?
Gum 3 1 noun, verb
Gumm 4 1 noun?
Hem 3 1 noun, verb
Hemm 4 1 noun?

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Synonyms of Them

No Synonyms Found.

Antonyms of Them

No Antonyms Found.

Homophones of Them

No Homophones Found.

Rhyme selection for the word

Rifma-rifma.ru is a large free dictionary of Russian rhymes.

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Rhymes in syllabo-tonic versification

It is widely believed that creating a poem is easy: just choose rhymes. This is one of the most ignorant misconceptions, since the poet's toolkit consists not only of rhyme, but of poetic meter, sound writing, figures of speech and tropes, not to mention the methods of constructing the plot of a poem and other syntactic phenomena (for example, caesura).

You should immediately pay attention: rhyme, as well as the size, is not an obligatory element of a poetic text, which is exemplified by blank verses and free verse. Nevertheless, it is especially characteristic for Russian folklore, where it has been used and is used to this day in the form, as a rule, of verbal consonances: came - found. It was the folklore origin of the Russian-language rhyme that determined its further distribution in the poetic work of our compatriots.

It should also be noted that rhyme is inherent primarily in poetic works, which include even rhymed advertising slogans and texts of such popular rap artists. Now it is precisely in poetry that it has become fixed almost as an inevitable element of verse. Previously, consonances were used even in political and scientific tracts - to bring enthusiasm to the style and highlight especially important parts of the text.

What is called rhyme

Rhyme is used to denote consonance in words; usually at the end of a word. A classic example of rhyme, which is common in the minds of ordinary people, is a clause - the last stressed syllable in a line, followed by all unstressed syllables and consonants. For example: customize - bark ; here the stress in both words falls on the penultimate syllable, so the rhyme will be in clause -yaem - -ayem.

So, rhyme is consonance. But does it have to be at the end of a verse (a verse, roughly speaking, is one line of a poem)? And can a pair of mute - yoke and (Brodsky) be considered a rhyme? It will be possible to talk about this after delving into the nature of consonance, but first you need to familiarize yourself with its basics.

Basic types of rhyme

The principal classification of clauses in versification is based on the place where they are stressed:

  • Male rhyme. The emphasis falls on the very last syllable in the verse: socks - sands.
  • Feminine rhyme. The emphasis is placed on the penultimate syllable of the clause: important - twice . In the 18th century, when Russian versification was born and underwent rapid development, it was believed that it was female rhyme that could express all the beauty of the Russian language. Already 19The th century completely refuted this assertion, and the modernists left no basis for it at all.
  • Dactylic rhyme. Here, the intonational accent is on the third syllable from the end of the clause: cash - excellent for them (this is a compound clause - a complicated version of an ordinary one; more on that below).
  • Hyperdactylic. The stress, respectively, falls on the fourth syllable from the end. This clause is very rarely used in poetry, since such words are not only difficult for the author to choose for the poem, but also difficult for the reader to pronounce. They are presented in a relatively large number in the poetry of V. Bryusov. An example, albeit a banal one: slingers - riveters.

In the Russian system of versification, stress can be placed up to the ninth syllable from the end of a word. Such rhymes are not used anywhere, but the term for them still exists - superhyperdactylic clauses - this is how it is customary to call all types of rhymes that come after hyperdactylic ones.

The sound and feeling of rhyme

Since rhyme is primarily a musical phenomenon, it should be perceived only by ear. It is for this reason that a great poet has a good ear. This is already a somewhat in-depth understanding of consonance: so what is the difference between the above-described pair mute - yoke and from, say, a pair of snow - bliss ?
There is also a separate classification for the sound characteristics of rhyme. It is important to note that each example of consonance is incredibly individual. Words are difficult to categorize, and there can be quite a lot of controversial points when analyzing the sound of a rhyme in a certain poem.

  • Rich clause. Not only the stressed syllable matches, but also the syllables after and/or before it. The role of even consonant sounds is important here (namely, sounds, not letters, since the latter do not sound at all, but the first ones are perceived by ear): line - verst ; in this example, the sounds of the second word are diluted with the consonant "s", which is why this consonance can be called rich only due to the coincidence of both syllables. This group includes the second presented pair: snow - bliss.
  • Poor clause. This group is characterized by the coincidence of only the stressed syllable. This includes the first pair: mute - yoke and , since only the stressed syllable matches, and the syllables before and after it are expressed by different sounds. These clauses significantly increase the space for the author's stylistic and plot maneuvers, since such rhymes can be picked up much more than rich ones. Another plus of this group of consonances is the originality of the sound of a well-chosen inaccurate rhyme, which is fresh for the ears of even a sophisticated reader and critic: aiming - Venezuela e (Mayakovsky).
  • Exact consonance. A common type of sound in the 19th century. Rhymes with exact consonance should be as similar as possible to each other both in stressed syllables and in supporting ones. Most of the rich clauses are immediate and precise. Example: dollars - walked.
  • Inaccurate consonance . This category of consonances began to supplant the exact rhymes that were the standard of versification of the 19th century, in the era of modernism in literature - in the 20th century. This group of clauses is especially vividly represented in the works of V. Mayakovsky (with his favorite compound rhymes): paper I am magic, the wick flies, the tariff is rhyme . With poor pronunciation or not very sensitive hearing, these consonances may not be noticed at all, but if the author skillfully uses inaccurate rhymes, then his poetry will be enriched with unusual sounds.

Clausal scheme and rhymes in solid forms

Surely every reader remembers at least some quatrains from the school literature curriculum. But far fewer of them know that the quatrain is a classic solid poetic form - a quatrain:

Staring deeply at the stone,
The artist saw the nymph in him,
And a flame ran through the veins,
And his heart flew to her.

The clause scheme - which line rhymes with which - in the quatrain can be presented in three variations, which became the most common arrangement of consonances in the world poetry of the 19th-20th century.

  • Cross rhyming. Scheme: abab (the same letters denote the same clause): stone - sight - flame - flew . This type of arrangement of clauses can be called the most popular among both beginner poets (because of the ease of compilation) and venerable authors (because of their adherence to classical forms).
  • Paired rhyming. Schematic: aabb: stone - flame - sight - flew. The rarest type of arrangement of clauses from all three presented, since there is no distance between verses where one or more rhymes can be inserted. But for long verses (lines) this is the most suitable scheme.
  • Encircling rhyme . Scheme: abba: stone - sighted - flew - flame . This scheme requires the author to already have a certain level of skill and a good ear, since the first rhyme can be lost after two lines with a different clause, so the poet needs to say it out loud several times.

The Onegin stanza, also known to everyone from school, is also a solid poetic form. The solidity of the form lies in the fact that it has its own clausal scheme, and sometimes even requires the use of a certain meter (as with a classic Italian sonnet or Alexandrian verse). The Onegin stanza is subjected by the author to a strict arrangement of clauses, the scheme of which is as follows (It is customary to denote female rhymes in capital letters, male rhymes in lower case): AbAb CCdd EffE gg.

The poet, based on his experience, level of language proficiency and stylistic devices, poetic meters, tropes and figures of speech, can vary several types of rhymes even within the same work, without being limited within a certain fixed meter, and even come up with his own.

Some other types of rhyme

Having accumulated both theoretical and practical knowledge about the main types of clauses and how to place them in a poem, the poet can improve his knowledge of poetic language by starting to use the types of consonance described below.

  • Compound rhymes. Such a favorite type of consonance by Vladimir Mayakovsky is deservedly considered one of the most original ways of rhyming, since it combines different parts of speech: for example, a particle and an adverb: molasses - again (Brodsky).
  • Homonymous rhymes . For clauses, homonyms are used here - words with different meanings, but the same in pronunciation and spelling. Example: (in the ears) rock - (in fate) rock.
  • Punning rhyme. The same, but instead of homonyms - puns. Example: the girls went to the garden at night, / As if de Sade wrote from them.
  • Internal rhyme. This is already a radically new type of consonance, since it is not a clause - it does not complete the line, but is located approximately in its middle. It is important that with such an arrangement of consonance, the size is correctly built, otherwise the poem can simply be broken at the place of internal rhyme into one more line. Example: over you, over a small river, / Over water, whose way is far... (Tvardovsky) In the example, the word "you" rhymes with "water".
  • Double internal rhyme. In this variation of the above-described consonance, words in one line rhyme, and the clauses connecting different lines may be absent altogether, as in free verse or blank verse. For example: The last time you are at your table, the last time you returned to the house, / The last time the wife carries the cake, 9 is reflected across the glass0020 (Eugene Rein). In this example, there is no clause as such. But in these lines (also Yevgeny Rein) both the internal rhyme and the clause are already present: Under the dome the Savior in sandals and his robe curls, / The Savior who fed his contrite children.
  • Echo rhyme . The line repeats some part of the clause of the line with which it rhymes, thereby creating an echo effect. For example: Hold on, Detroit of the world! / …Oh, you! (A. Bezymensky).
  • Pantorhyme . One of the most spectacular types of consonance, in which not the final parts of the verse (clauses) rhyme, but any number of words between (and within) two or more lines. In other words, with such consonance, the lines contain both internal and clause rhymes, which can be arranged in an absolutely non-standardized order. This rhyme is an element of combinatorial poetics and modernist trends in creativity, therefore, examples of pantorhyme cannot be found in classical works. However, it has become especially popular among rap artists, where you can find good examples: popped in for a visit, as to the south, but got stuck. / Let's keep quiet, since the language is volapuk, newspeak. (Volapyuk - rubbish; Newspeak - the official language of the ruling party in Orwell's novel "1984").

Tips for choosing rhymes

  • It's better to avoid using verbs in clauses. Although Pushkin himself in "The House in Kolomna" went against this rule - he, however, is excusable, but the work of a novice author with verbal consonances can be considered bad taste.
  • Experiments with inaccurate, poor, composite, internal and pantorhythms are best begun after at least some sufficient experience in the use of classical forms, sizes and clauses has been obtained.
  • For the correct selection of rhymes, the poet needs to say everything written aloud - not necessarily in public. If the clauses sound separately, but not in the line, then you can try to change the number of stops in the size, or even the entire size

Success in your work!

Rhymes to words in English: search and selection of rhyme

Rhyme is the repetition of the same or similar sound combinations at the end of two or more words. Rhyme is used in poems and songs, which gives them a special charm to attract the attention of the listener. Rhymes make speech pleasant to the ear. Most often, the last words in the lines rhyme.

There are rhymes:
  • complete - the coincidence of all sounds after the stressed vowel: tight - light;
  • incomplete - repetition of consonants or vowels: worth - forth, sale - rain;
  • compound - phrases rhyme: bottom - shot him;
  • visual - words, the spelling of which is partially the same, but the words themselves sound different: wood - blood.

  • Again - men, ten, then, when.
  • All - ball, call, doll, curl, girl, fall, mall, roll, small, soul, tall, wall, world.
  • Alone - flown, home, own, phone, stone.
  • Back - attack, black, crack, hack, pack, track.
  • Believe – eve, live, leave.
  • Best - chest, crest, quest, rest, test, west.
  • Better – matter.
  • Body – beauty, dirty, party.
  • Book - brook, cook, hook, look, took.
  • Boy - destroy, employ, enjoy, joy, toy.
  • Care - bear, hair, pair, share, square, there, wear, where.
  • Chance – dance, ends, fans, France, friends, hands, romance, sense, tense.
  • Change – range, strange.
  • Child – mild, smiled, wild.
  • City - duty, kitty, pity, pretty.
  • Cold – gold, old, rolled, sold, told, want.
  • Cool - full, pool, rule, school, stool, tool, wool.
  • Crazy – amazing, baby, easy, lady, lazy, maybe.
  • Day – away, clay, deejay, delay display, gray, hey, lay, may, okay, pay, play, relay, replay, say, stay, they, today, way.
  • Down - brown, clown, crown, frown, town.
  • Dream – beam, been, between, cream, extreme, green, marine, scream, screen, steam, stream, supreme, swim, team, teen, theme.
  • Eyes – dies, guys, ice, lies, nice, price, slice, sunrise, surprise, twice.
  • Face – case, lace, place, race, space.
  • Fine – combine, dine, divine, design, line, mine, nine, shine, sign, time, vine, wine.
  • Fire - admire, denier, desire, entire, fighter, flower, flyer, higher, inspire, liar, power.
  • Flash - crash, hash, mash, smash, splash, trash.
  • Forever - ever, never, together.
  • Friend - band, defend, descend, depend, end, hand, land, send, spend, stand, trend, understand.
  • Future – nature, picture.
  • Game - became, came, claim, frame, name, same. Smile - aisle, I'll, isle, mile, style, vile, while.
  • Go – ago, blow, bellow, flow, glow, grow, hello, know, no, oh, show, slow, snow, so, throw.
  • God - blood, flood, mud.
  • Good – could, foot, hood, mood, should, shoot, stood, wood, would.
  • Happen – happy, heaven, seven.
  • Hate - create, date, eight, fate, gate, great, late, locate, state, wait.
  • Head - bed, bread, dead, had, red, said.
  • Heart – apart, art, cart, chart, fart, part, smart, start.
  • Hell - well, shell, fell, bell, tell, sell, smell,
  • Here - clear, dear, fear, fever.
  • Hurt - alert, a lot, comfort, desert, dot, forgot, hot, jackpot, not, slot, shot.
  • I – buy, by, bye, cry, defy, deny, die, dry, eye, fly, goodbye, guy, high, inside, lie, my, pie, side, sigh, shy, sky, tie, try , why.
  • It - admit, bit, fit, grit, hit, knit, meet, shit, sit, split.
  • Let - debt, forget, net, set, sunset, yet.
  • Level – devil.
  • Life - Alive, dive, drive, five, knife, rife, strife, wife.
  • Lip - chip, deep, equip, hip, jeep, keep, ship, skip, sleep, sweep.
  • Love – above, dove, enough, glove, half, laugh, of, off, shove, staff, tough.
  • Man - can, fan, ran. In - been, begin, between, clean, green, keen, mean, queen, seen, skin.
  • Me - be, fee, free, key, tea, tree, sea, see, she, we.
  • Mind - behind, declined, defined, designed, divined, find, kind, remind, signed.
  • Money – bunny, funny, honey, mummy, sunny.
  • More - bore, door, for, four, floor, score, store.
  • Much – such, touch.
  • Need - beat, feed, kid, meet, seat, sheet, speed, street, sweet, weed.
  • News - blues, confuse, muse, shoes.
  • Night – bite, bright, light, delight, fight, flight, height, knight, might, right, sight, slight, tight, tonight, white.
  • Now - allow, how, low. Up - but, cup.
  • One - anyone, done, fun, gone, none, run, sun.
  • Out – about, around, cloud, doubt, ground, shout, sound, without.
  • Over - clover, cover.
  • Pain – brain, campaign, champagne, complain, explain, in vain, lane, main, plain, rain, train.
  • Real – deal, feel, hill, steel, still.
  • Reason – frozen, season.
  • Rent - present, prevent, sent, tent.
  • Respect - connect, correct, direct, effect, expect, reflect, select, suspect.
  • Self - brave, gave, help, save, wave.
  • Star – are, bar, car, far, guitar.
  • Stop - top, cop, pop, drop, shop.
  • Take - brake, cake, fake, lake, make, shake, snake, wake.
  • That - bad, cat, dad, fat, flat, glad, mad, sad.
  • Thing – bring, king, nothing, ring, sing, spring, sting.
  • This - assist, bliss, consist, exist, insist, kiss, miss, peace, resist.
  • Time - I'm, climb, clime, crime, fine, lime, mine, rhyme.
  • Tomorrow - shadow, swallow, window, yellow, fellow.
  • Truth – smooth, sooth.
  • Walk - block, lock, rock, shock, talk.
  • Word – award, accord, bird, board, record, scored, stored, third.
  • Worry - hurry, sorry.

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