Importance of following directions worksheet

Lessons For Teaching Students To Follow Directions

As teachers, sometimes we give our students directions but then are surprised (or disappointed) that they don't follow them.

No names on papers? No titles on compositions? No answers rounded to the nearest tenth? We all face these problems in our students but we can correct some of these behaviors by teaching the skills required for students to be able to follow directions.

If you find yourself confronting such problems while grading papers, your students may not be paying attention to directions. Although most successful students recognize the importance of reading instructions thoroughly and following them, some students may master the skill slowly. Education World provides five intriguing lessons to help your students read, write, follow, and even evaluate directions. Included: Lessons that make following directions fruitful and fun!

Surprised to see a number of students suddenly leave the room only halfway through an exam, the professor followed them into the corridor. He discovered the students completing the balance of the questions while leaning against the walls. When he asked for an explanation, one student pointed to the third question, which asked "Describe Hemingway's The Old Man and the Sea. You may supply a drawing but please leave room to answer."

Sadly, this joke may not ring very true for many teachers today. Unfortunately, in the rush to complete assignments, students often race past directions to get to the "meat" of their work. In desperation, some teachers have hidden the answer to a simple question, or a hint to a tougher one, within the directions of an exam, just to encourage students to read the directions!

There are ways to help students recognize the value of reading instructions before beginning an assignment and following them throughout. Elementary teachers may hold a "bear hunt." Students bring in teddy bears, hide them within the classroom or school, and then create lists of directions for others to follow to locate the bears. Teachers of older students may craft a page of instructions that students must read in their entirety before beginning to work and include as the last one, "Ignore all of the directions above and turn in your paper." The Internet provides even more opportunities to emphasize directions with lesson plans, how-to's, and recipes!

LESSONS FOR TEACHING STUDENTS TO FOLLOW DIRECTIONS

This week, Education World provides lessons about following directions. Click on each of the lesson headlines below for a complete teaching resource. Approximate grade levels are in parentheses.

How Well Do You Follow Directions?
This easy-to-use activity teaches valuable lessons about the importance of listening and following directions. (Grades K-12)

Phil's Fish Shop
Taking on the roles of new employees in a pet shop, students offer advice to customers, answer questions, and create a handbook of instructions for new fish owners. (Grades 3-8)

Critics of Cuisine
As food critics, students follow directions to create culinary delights and then critique the recipes and the flavor of their products. (Grades 3-12)

The Magician's Apprentice
Teaching the skill of following directions requires a little hocus-pocus in this lesson. Students re-create magic tricks, evaluate the clarity of the instructions, and teach an apprentice how to perform a trick. (Grades 3-8)

George Washington Teaches Map Directions
If students follow "directions," they'll have a picture of George Washington. (Grades 3-8)

Parachute Drop
Students experiment with gravity as they follow directions to create parachutes that will carry paperclip passengers safely to the ground. (Grades 1-3)

ADDITIONAL RESOURCES

30 Classroom Procedures to Head Off Behavior Problems
To keep your days running smoothly, establish consistency using these general procedures, daily tasks, and activities.

Free Following Directions Worksheets
Teach-nology provides several adorable coloring sheets with simple instructions to follow.

Last updated: 11/22/19

19 Activities for Middle School Students to Improve Following Directions

Whether 1-step directions or multi-step directions, students need practice and clear expectations. Students follow hundreds of directions every year at school and at home. In order to improve their ability to process oral directions and listening skills, you can incorporate fun activities into your school day.

Try some of these 19 activities and notice the difference you will see over a period of time, as students improve with following directions.

Incorporate your school curriculum into teaching kids to follow directions. Using science experiments in your school setting will improve academics, engage students, and strengthen students' following directions skills and abilities.

Learn More: Moms

Further developing science skills and learning to code are beneficial for so many reasons. In addition to helping students learn computer science skills, they can also work on fine motor skills and improve following directions skills. Coding is ideal and appropriate for all grade levels.

Learn More: Teach Your Kids Code

This worksheet takes on the form of a riddle or secret code to be solved. For students who need a break from screen time, let them try to decipher the code by solving the riddles. The following directions worksheet is a good way to also encourage critical thinking and problem-solving skills.

Learn More: Centervention

Simple instructions will be easy to follow and form a unique craft! This activity uses multi-step directions to have students create a paper masterpiece. Students will need to pay attention to directions and details to be successful in this awesome activity.

Learn More: Speech Snacks

This fun and challenging activity allows some creative freedom but requires multi-step directions as well. This activity is great for upper elementary teachers or middle school teachers to use with their students.

Learn More: Pedia Staff

This activity will require key listening skills. Teaching students to make something with their hands is a great way to improve following directions. This is ideal for motor skills as well. Students may have a harder time working with their hands, so making the teacher aware of expectations is key.

Learn More: Moms

Giving the child directions for this printable activity is key. Lists of directions are included for students to read themselves or for the teacher to call out to them. Precise directions will help students know when to do each step in the process.

Learn More: Tam Aqua K12

This adorable summer Olympics game is great for following directions. Perfectly themed activity sheets are designed for listening activities that focus on teaching students 1-step directions, 2-step sequential directions, and even 3-step sequential directions.

Learn More: Speech Time Fun

This leaf craft is a perfect hands-on activity for teaching students the importance of following directions. As they listen and perform each task in each step, students' following directions skills will improve with practice.

Learn More: Inspontaneous Speech

These easily printable maps are easy to use. There are several themes to choose from. Each is accompanied by a list of instructions. Students can read them or listen as teachers read them aloud.

Learn More: Making Learning Fun

Fun games, like this Star Wars following directions game, are great for helping students practice how to properly follow directions. This interactive game allows students to work within groups and collaborate and interact with others.

Learn More: Teach This

12. Glyphs

Glyphs are a fantastic resource for upper elementary and middle school students who need to practice following directions. Students will use white drawing paper to draw a picture, based on listening to directions and using what applies to them individually.

Learn More: Teach With Me

These before and after statements are great for older kids. This is a way to let students interact in groups and follow directions. On slips of paper, you will write in events and use them to complete this activity.

Learn More: Miss Barrett Speech Language

These printable worksheets will be helpful for children with language skills needing improvement or for students to practice following directions. They are holiday themed and ideal for key listening skills and multi-step directions.

Learn More: Resources From Rachel

15. Can You Follow Directions Quiz Sheet

This fun quiz-type sheet is helpful in assessing how well students follow directions. This is a great way to see if they can follow targeted directions and if not, where the breakdown occurs so you will know what to work on.

Learn More: The Worksheets

This directions sheet is a breakdown of 4-step directions. Each section requires students to look ahead to see what to do, when to do it, and how to do it. They are working to follow directions in each step.

Learn More: The Worksheets

Relay races get students up and moving. Teachers can customize this activity to get students to practice following directions in a nontraditional way. Students can follow directions and work with their teams to see who can win each challenge.

Learn More: Mr Physed

This following directions activity is good for working on following directions and literal directions. Students can cut and place items in places, dependent on prepositional directions. This is especially good for bilingual students.

Learn More: The Worksheets

Constructing paper airplanes is fun and ideal for practicing following directions. Let students use a template and guide for directions or orally tell them what to do. Either way, they will get good practice and finish with a nice end result.

Learn More: Speech Snacks

Actual procedure for maintaining waybills | Sample - form - form

Since 2007, the Ministry of Finance has established the use of cash receipts and waybills to confirm the cost of lubricants and fuel used. For this, a corresponding letter was prepared (No. 03-03-06 / 1/640 dated 04.09.2007) and amendments to paragraph 1 of Art. 26 of the Tax Code.

In practice, it is common for inspectors to charge additional tax amounts due to inaccuracies in the process of filling out a waybill. Given the practical problems, the finance department has prepared several practical clarifications to minimize the assumption of inconsistencies.

Litigation regarding the recognition of the validity of expenses for fuels and lubricants also establishes the fact that the waybill is not a mandatory document confirming the costs of fuel and lubricants. It should be noted that this is true only for those organizations that are not motor transport. In addition, these costs must be confirmed by other documents (most often, receipts for the purchase of these materials).

Can I approve the waybill form myself?

Amendments to the Federal Law “On Accounting”, which came into force in early 2013, allow organizations to independently develop the forms of primary documents used. Information of the Ministry of Finance of Russia No. PZ-10/2012 also confirms this right of organizations (at the same time, non-transport organizations had such a right even before 2013).

When approving the forms, it is worth remembering that without the required details, which were approved by the relevant order of the Ministry of Transport of Russia, any waybill will become invalid. These include:

• name and number of the waybill;
• its validity period;
• information about the owner of the vehicle;
• information about the vehicle itself and its driver.

Who sets the deadlines for issuing travel tickets?

Guidelines for the use of waybills, which are an addition to the Decree of the State Statistics Committee No. 78, determine the one-day (one-shift) validity of all waybills. Since the permission for self-approval of the forms of such documents, the Ministry of Finance came to the conclusion that it is more expedient for enterprises to set the validity periods of travel tickets themselves for greater validity of the expenses incurred (letter dated November 30, 2012, No. 03-03-07 / 51).

The last recommendation does not apply to specialized road transport companies - they need to use one-day waybills, while other organizations can draw up these documents for up to a month.

The importance of displaying the route in waybills.

Without a detailed indication of the location of the vehicle, it is impossible not only to verify the reasonable consumption of fuel and fuels and lubricants, but also to confirm the fact that the vehicle was used for official purposes.

The need to display the route of movement was repeatedly mentioned in letters from the Russian Ministry of Finance back in 2005 and 2006. Most often, itinerary information is displayed on the back of the form, and consists of the following sections:

• places of departure and destination;
• time of departure and arrival;
• total number of kilometers travelled.

Peculiarities of using own transport for the purposes of the company.

When using personal transport for business purposes, employees of organizations are also entitled to cover the costs incurred, which are confirmed by waybills. In order to receive payment of funds (which, moreover, are exempt from personal income tax), in addition to the waybill, the employee submits to the accounting department a confirmation of ownership of the vehicle and its registration certificate.

What are the consequences of using the company's transport without making waybills?

Without waybills and other documents confirming transportation costs, an employee of the company can be accused of causing personal gain (this is in accordance with Article 41 of the Tax Code). As a result, the company will have to withhold income tax from such a driver or inform the tax inspector that such a deduction is impossible. The letter of the Ministry of Finance No. 03-04-05 / 28243 dated 06/11/2014 also states that the absence of a waybill is the basis for withholding personal income tax from any driver's income.

Staff (crew) | All About Filmmaking

The staff of a film crew naturally varies greatly depending on the budget and the size and type of film project. This section provides a list of all film production positions possible, as well as their main responsibilities and professional tasks.

Classification by stages

Preparatory period

The creative stage of the preparatory period of a film project starts from Screenwriter . A screenwriter creates a screenplay (a written version of a movie that has not yet been made) based either on previously written material (a novel, short story, or play) or on some original idea. The screenwriter may write a screenplay on his own initiative and intent, then try to sell it to a producer, or may be invited by a producer or studio to write a screenplay on special order. It happens that scripts have to be rewritten many times, and several scriptwriters can work on one script. The producer controls the overall production of the picture and is ultimately responsible for the success or failure of the film project; this person works on the project from its very beginning to its final completion. The task of the producer is to organize and promote the entire project until the release of a successful movie. If a film ends up winning, for example, the Academy of Motion Picture Arts and Sciences (“Oscars”) for best motion picture of the year, the producer invariably accepts the award.

Producer organizes the promotion of the project and takes an active part especially in activities during the preparatory period. From the moment the film production (shooting) begins, the role of the producer is reduced to the general direction and issuance of recommendations - to which the participants in the production of the film must listen with all seriousness. However, some producers continue to play a key role in all stages of production.

Director interprets the script and gives the individual fragments of the film the unity and completeness of a work of art (director's script), which, of course, bears the imprint of his individuality. The director can be likened to the conductor of a large orchestra. He must be able to lead people, exercise control, ask them, force them to carry out their instructions, while remaining on good terms with all participants in the film process.

During the production of a film, the director directs more than just the actors. He also makes recommendations to the director of photography, instructs the main technical staff, manages extras, resolves issues related to the budget and protects production from external force majeure. The director is the main responsible person for everything that happens on the set.

Director of photography (DOP, DP, DOP) , responsible for the quality of photography and for the "cinematic" action of the picture. He embodies the ideas of the screenwriter and director in visual images - in the image. In order for the viewer to experience the emotions the director wants, the director of photography, using knowledge of lighting techniques, types of lenses, film cameras and photographic emulsions, gives each shot the appropriate mood, atmosphere and visual style. Working in close contact with the director, the director of photography chooses the shooting angle for each shot, builds the composition, as well as the camera movement pattern. The director of photography also selects lighting equipment, determines the type and number of cameras needed for shooting. To achieve the desired effect, the director of photography orders lighting devices, gives instructions on the organization of lighting, and the location of cameras on the site.

Part of the creative process of the preparatory period is "conceptualization" - the development and drawing by the artist-conceptualist of plans and sketches of the scenes of the future film. Concept artist makes a storyboard, a series of sketches used to visually illustrate a scenario. Thumbnails represent the main scenes of the scenes described in the script, including framing, camera angles, the layout and movement of the actors, as well as the main props and scenery. While working on the storyboard, the concept artist also designs and draws the sets, characters, and costumes. Often a conceptual artist makes a series of miniature rough sketches containing different possible versions of the appearance of objects or character types of a future film. The concept artist works closely with the production director, the director of photography, and the entire set and art department.

Executive Producer finances the film. He is usually in charge of the business aspects of the film production - his actual involvement in the day-to-day operations of the film crew tends to be negligible.

While the creative team is working on the conceptualization of the picture, the financial director makes a cost estimate, keeps track of the cost of each material unit in order to keep production within budget. (In low-budget film production, this is done by the producer himself or his assistant).

All costs fall into two main categories: fixed costs (above-the-line costs) and variable costs. The general rule for high-budget feature films is that fixed costs should be approximately 75% of the film's total budget. Such costs are negotiated prior to production and are considered fixed.

Variable costs include the salaries of lead creatives and any copyrights to a book, play or article. They are considered “fixed costs” because, once negotiated, they do not change during the entire production period.

Variable costs can be up to 25% of a picture's budget. They cover the ongoing costs of ensuring the promotion of production. Variable costs combine all costs that are not fixed, such as crew salaries, food, lodging, transportation, camera rental, film processing, editing, special effects, costumes, lighting, sets, props, and other expenses.

Production Designer works closely with the production director to ensure that their artistic vision is realized at a stage where the conceptualization is complete and can be brought to life on set. The production designer is in charge of the set design department and, in charge of the set design, is responsible for creating the overall visual impression of the elements of the scene being filmed - the background, scenery, costumes, etc.

Artistic Director works under the direction of the production designer and ensures that the selected location or scenery matches the production designer's intent. The Artistic Director oversees the work of the art teams and decorators, and is also responsible for costumes, make-up and props.

Set refers to any artificial landscape or decorative setting built in a special pavilion or on location for use in filming. Set designer , often an artist with an architectural background, draws plans and specifications for set materials based on verbal descriptions or sketches provided by the art director. Due to the high cost of building sets, the set designer, when planning, tries to provide for the construction of only those objects or their elements that actually fall into the lens of a movie camera.

Stage decorator - a specialist with experience in interior design; knows how to find appropriate objects and place them inside the scenery in such a way that the scene looks natural, whether it is a businessman's office or an anchorite's hideout.

Decorator Assistant - works under the direction of the stage decorator and is responsible for finding the artifacts needed for decorating.

Props team works under the supervision of an assistant decorator and collects and delivers all the items necessary for shooting to the set.

Prop Installer physically arranges furniture and props - carpets, lamps, draperies, paintings, books, etc. - in the shooting scenery in preparation for shooting. The prop setter reports to the decorator's assistant.

Design Coordinator reports to the Artistic Director and ensures that the construction of the scenery is carried out in accordance with the instructions of the set designer. In practice, the construction of sets can take many weeks or even months, depending on the size and complexity of the design. Therefore, an important decision is first made about the location of the shooting - on a full-scale (natural) site or in the scenery. This decision is made by the producer or jointly by the producer and director for each episode individually.

Carpenter reports to the Stage Design Coordinator and builds the set according to the plans and specifications received.

Carpenter's assistant reports to the carpenter and assists him in the construction of the scenery.

Costume Designer designs and designs costumes for film actors while the set is being built. Before these finished sketches go to the tailor who will make the costumes, they are approved by the production designer, director and producer.

Tailor – tailoring a set of suits according to approved sketches.

The Casting Director (or Casting Assistant) proposes and evaluates potentially suitable actors, arranges meetings for the actors with the producer or with the producer and director, and often assists the producer in negotiating with the actor's representative or attorney regarding terms of the proposed contract. When the hiring is agreed upon, the casting director assists the actor's representative and the director in negotiating the specific terms of the contract.

Location Selection Manager inspects and selects filming locations and issues official permits for filming where required.

A technical consultant may be invited by the director to provide advice in a specific area of ​​expertise in order to correctly portray special events or situations requiring special knowledge and experience in the film. A specialist in history is invited, for example, for a plausible depiction of the events of the American Civil War. A lawyer can advise on scenes in court. For advice on Lao folk customs or costumes, a native of Laos may be consulted. Or, to clarify the facts from the life of dolphins, they can invite a professional biologist.

If the film features special effects, stunts or animals, the following extras will be added to the film: director.

Special makeup artist has experience in imitation, combining makeup with special effects, such as micro pyrotechnic effects - small explosive devices (firecrackers) that simulate a bullet hit, stab wound and its consequences.

Stunt Director is responsible for stunt production, believability and safety. Animals are sometimes used in motion pictures. As a rule, they are delivered to the set accompanied by a trainer or groom (if we are talking about horses), who either train this animal or know how to make it perform the necessary commands, for example, by feeding. Often the same role is played by several animals similar to each other. Thanks to skillful editing, their arbitrary movements look meaningful in the frame.

Line Producer is responsible for day-to-day management of all filming activities. He arranges the use of locations, transport, selects additional extras to participate in scenes, orders equipment, rents accommodation for artists and staff during on-site filming, stays on the set all day and monitors the smooth progress of the filming process. A line producer, as a rule, is invited for the entire period of work on a film from pre-production to post-production, inclusive. Reports directly to the producer.

During the preparatory period, everything necessary for filming is prepared:

• Creative training from writing a script to designing special props.
• Financial preparation, including budgeting for the production of the film and raising funds for its production.
• Administrative preparation, including arranging staff pay, ordering film, and obtaining location permits.
• The actual preparation, including the construction of sets, tailoring of costumes and selection of props.

At the end of the preparatory period, the filming stage begins.

Production

Production is the stage at which the actual filming of the motion picture is carried out (also known as the "shooting period"). Many specialists of various profiles, actors and other creative personalities take part in it:

Director of Photography (DP, DOP, Cinematographer) , who also took part in the work on the film at the preparatory stage, plays a leading role at the production stage. This time, its main function is to select and set the right lighting for the scene on the set. Depending on the director's style of work, the director of photography may decide for himself on the "visual presentation" of the film on film, and, after discussion with the director (usually also members of the art and scenery team), he may be entrusted with lighting installation scenes at his own discretion. Alternatively, if the director himself has a clear or specific idea of ​​the film's "visual presentation", the director of photography follows his instructions.

The director of photography usually leads the way and sets the tone for the rest of the group. Punctuality, discipline, neatness in dress and impeccable demeanor - all these qualities should be possessed by the director of photography, as they are in many ways the standard of a professional approach for the entire film crew. The director of photography is responsible for everything related specifically to shooting a film: lighting, exposure, composition, cleanliness on the set and accuracy in working with photographic materials. The members of the film crew are often also chosen by the director of photography: it is he who draws up the lists of main and reserve (in case of replacement) candidates for working positions.

Since the director of photography “appoints” the members of the crew, he is also responsible for them and can fire them if they do not meet the required professional standards. Positive in this practice is the right of the director of photography to select a film crew at his own discretion, most often consisting of proven specialists, often with experience working together on other films.

's Assistant Director (or "First Assistant", A.D.), oversees the filming schedule and is responsible for meeting it. The assistant director is responsible for solving current operational issues, for example, calling actors or members of the film crew to the set, urgent resolution of household issues on the set. It allows the director to focus on the creative aspects of film production. The assistant director keeps order on the set, for example, the famous call “Silence on the set!”. The assistant director also has his own assistants.

Second Assistant (or “Second Assistant Director” Second A.D.) is the assistant director's assistant and supervises the change of performers on the set and schedules for each scene the call of the actors with the time of their appearance on the set. The second assistant director is often the link between the set and the studio office. There is also a third assistant (Third A.D.) who also assists the assistant director.

Extra director sets up large-scale scenes, typically involving complex special effects and
filming a large number of additional faces, stuntmen, and animals.

What would cinema be without professional actors? Actors play the roles of character characters in the film. Some of them are famous stars, others are just starting their way into the cinema.

Understudy is a person similar in body structure and appearance to the main actor in the film. He fills in for this actor during the lengthy pre-production procedure—setting up cameras, mounting lights and microphones—while the lead actor prepares for filming.

A stunt performer, or stunt performer, is a specialized actor who actually performs stunts, sometimes with a risk of injury. Stunts are different - from battle scenes to falling off a cliff or head-on collision with an oncoming truck. Many stunts actually turn out to be less dangerous than they look in the movies, thanks to the skillful choice of camera angles, lenses, and editing.

Makeup Officer A , or make-up artist, is a person in charge of applying makeup directly to an actor's skin for cosmetic purposes, lighting effects, characterization, or characterization. Usually the actor is put on make-up before filming, but in the course of work, the makeup sometimes spreads, and then it is applied again or touched up. The task of the make-up artist is to maintain the required appearance of the actor throughout the filming cycle.

Hairdresser , or hair stylist, is responsible for maintaining the actor's hair throughout the filming cycle.

Cameraman (Cameraman) provides filming with a movie camera and stopping shooting at the right moment at the command of the director of photography. The operator is responsible for ensuring smooth camera movement and obtaining satisfactory images. In this case, the operator not only tries to avoid the camera colliding with other equipment during filming, but also prepares all camera movements (passages, zooms, rotations, tilts), monitors the position of the camera crane, as well as the position of auxiliary equipment, such as a pole with a microphone above the filmed scene - so that he does not accidentally fall into the frame.

First Assistant Cameraman (Assistant Cameraman) assists the cameraman in shooting. He maintains and maintains the movie camera, and also fills out a shooting sheet, in which he records in detail all the details regarding the filmed scenes. In many camera crews, the first assistant operator also performs the duties of a “magician” and / or “cracker”.

Second Assistant/Clapperboard , or second assistant cameraman, loads a new roll of film into the camera if necessary and operates the clapperboard, a small board (on which you can write with chalk) that appears at the beginning of each take. At first glance, working with a clapperboard is not a big deal. But its importance can hardly be overestimated: the information on the board should always be complete and easy to read.

It is of the utmost importance that the second assistant keeps the reloading bag spotlessly clean or, in the case of a large, high-budget project, a mobile dark charging box so that neither dust nor hairs get on the film. The inside of the recharge bag or the room of the mobile charger should be cleaned several times a day.

But perhaps the most important responsibility of the second assistant is keeping records. The filming list, which is subsequently transferred to the laboratory along with the footage, must be filled out clearly and understandably, otherwise it will be difficult to find the right video during processing and editing of the negative.

On most pictures, the production department carefully controls the daily completion of the shooting list. This is necessary primarily because the footage must be accounted for in terms of meeting the budget of this part of the film, as well as in terms of controlling the waste of footage, which is taken into account in the “waste” column. When hiring a second assistant - a clapperboard, the studio office evaluates, first of all, the candidate's ability to keep records.

Second chamber (or chamber B) 9The 0062 is another cameraman on set who is sometimes needed to shoot complex staged action scenes or stunts from multiple angles, or to shoot a scene with different coverage using a second camera.