Words that rhyme with spelling
156 Words that rhyme with spell for Songwriters
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Top rhymes for songwriters
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Songwriting rhymes for spell
These rhymes are specially chosen by our unique songwriting rhyming dictionary to give you the best songwriting rhymes.
- well
- cell
- tell
- shell
- bell
- hell
- fell
- sell
- smell
- hotel
- rebel
- there
- where
- yell
- care
- carousel
- their
- hair
- swear
- air
- tear
- wear
- fair
- everywhere
- share
- stare
- anywhere
- will
- dare
- still
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Perfect rhymes for spell
- well
- cell
- tell
- shell
- bell
- hell
- fell
- sell
- smell
- l
- hotel
- swell
- parallel
- rebel
- carousel
- yell
- el
- farewell
- dwell
- citadel
- belle
- motel
- chanel
- gazelle
- excel
- lapel
- personnel
- compel
- mel
- elle
- del
- foretell
- quell
- gel
- ell
- impel
- cartel
- intel
- seashell
- repel
- propel
- dispel
- infidel
- misspell
- ravel
- expel
- knell
- noel
- dell
- clientele
- morel
- nell
- resell
- pastel
- bombshell
- nutshell
- outsell
- bluebell
- retell
- materiel
To see our full selection of genre-specific rhymes, triggers that get your creativity flowing, and next line suggestions from our incredible A.
I. assistant, sign up to Chorus today.
Near rhymes for spell
Near rhymes work great for songwriting, often giving a more interesting feel than perfect rhymes.
- there
- where
- care
- their
- hair
- swear
- air
- tear
- wear
- fair
- everywhere
- share
- stare
- will
- anywhere
- still
- dare
- bear
- prayer
- spare
- chair
- til
- until
- pair
- bare
- rare
- affair
- till
- aware
- unfair
- unaware
- kill
- fill
- square
- prepare
- glare
- flare
- scare
- beware
- fear
- pill
- chill
- clear
- ill
- year
- bill
- near
- spill
- dear
- disappear
- thrill
- hill
- despair
- repair
- compare
- declare
- mare
- stair
- underwear
- millionaire
- lair
- debonair
- multimillionaire
- atmosphere
- beer
- drill
- fulfill
- mil
- appear
- trill
- deer
- mill
- sill
- grill
- uphill
- interfere
- sheer
- sincere
- overkill
- cheer
- overspill
- souvenir
- sphere
- career
- rear
- engineer
- gear
- volunteer
- pier
- queer
- unclear
- revere
- cavalier
- brigadier
- insincere
- chandelier
Want to know what rhymes with spell?
When you're writing a song, rhyming words are as important as melody and lyrics
Some songs can get by with just a hook, but true hit records use creative rhymes to create interesting lyrical hooks and melodies
But there's two catches when it comes to rhyming words
The first catch is obvious--there are no hard and fast rules concerning what sounds good in rap music, country music, rock n' roll, etc
But the second catch keeps songwriters from getting the right rhymes: finding "themes" or rhyme families that naturally sound like certain genres of music while avoiding others
The problem with most rhyming dictionaries is they're not targeted to your specific genre of music! Even if they have themes you need, they don't give you enough variety to be truly useful.
With Chorus, we find you only those rhymes which are useful for songwriters, so you know that the words we give you are singable and work for the genre you're writing in
These are just a few of our rhymes. If you want to discover all the ways you can express yourself with Chorus, sign up for the full version now.
To see our full selection of genre-specific rhymes, triggers that get your creativity flowing, and next line suggestions from our incredible A.I. assistant, sign up to Chorus today.
Create your songbookWords That Rhyme With "Spell"
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1 syllable:
bel, bell, belle, cel, cell, dell, Delle, dwell, ell, Elle, fel, fell, gel, gell, Hel, hell, jell, Kell, knell, mel, mell, nell, Nelle, pell, quell, schnell, sell, selle, shell, smell, snell, stell, swell, tell, well, yell
2 syllables:
adel, Adele, agnel, artel, arvel, bandshell, bedel, befell, boatel, bretelle, Burrell, Cabell, cadelle, cartel, carvel, Cattell, Cavell, chandelle, Chanel, compel, cordelle, Cornell, crenelle, Daniele, Darnell, dentelle, dispel, dynel, echelle, ecuelle, Estelle, excel, expel, farewell, ferrel, Fidel, foretell, Fresnel, gabelle, gazelle, Giselle, grandrelle, grinnell, Hillel, hotel, impel, indwell, intel, irell, Janelle, jurel, lapel, Lyell, Mantell, Manuel, marcel, Marcelle, Marvell, micelle, Michele, Miguel, misspell, morel, Moselle, motel, nacelle, nevel, Nobel, noel, Noelle, nouvelle, Odell, outsell, outtell, pastel, patel, Ponselle, procell, propel, Purcell, quenelle, rappel, Raquel, rebel, repel, resell, respell, retell, Rochelle, rondelle, Roselle, rozelle, ruelle, samiel, sarcelle, sardelle, spinel, tourelle, unsell, unshell, unspell, unwell, upswell, varvel, vervelle, vielle
3 syllables:
aquarelle, askarel, bagatelle, chanterelle, chevronel, clientele, damoiselle, Danielle, demoiselle, fontanelle, Gabriele, immortelle, Isabell, karrusel, lenticel, Mirabel, moschatel, muscadel, muscatel, nonpareil, organelle, personnel, pipistrelle, Rafael, Raphael, villanelle
4 syllables:
chlorospinel, mademoiselle, materiel, mesdemoiselles, spirituel
5 syllables:
antipersonnel
How to write lyrics for a song: using rhymes - SAMESOUND
We are surrounded by rhymes and rhyming lines - songwriters have taken the place of poets in the modern world.
According to literary critic David Kaplan, the activity of songwriters has led us to live in an era of rhymes that get stuck in our heads along with popular tracks. As confirmation of Kaplan's words, one can recall Bob Dylan, who in 2016 received the Nobel Prize in Literature for his poetry.
It's not easy to write lyrics for a song - the rhymes are idiotic, the lines don't make sense. However, one should not think that the lyrics are limited to rhymes. Flypaper contributor Charlotte Yates has three tips for anyone who wants to know how to come up with lyrics for a song. According to Charlotte, these recommendations will help move the writing of lyrics off the ground and make it easier to write lyrics. Revision SAMESOUND.RU provides an adapted translation of the note.
Change schemes
Those who want to understand how to write lyrics for a song often forget that the lines of songs are usually written in certain patterns called rhyming schemes.
Lines whose last words rhyme with each other are denoted by letters: the first line is A, the second is B , etc. If a line doesn't rhyme, it's X.
Here are a few common patterns (similar to the structural song patterns used in an arrangement):
- AABB - adjacent rhyme, couplet syllable, in which every two lines rhyme with each other;
- ABAB - cross syllable, opposition, in which the lines rhyme with each other through one;
- AAAA - monorhyme, each line rhymes with the previous one and all the others;
- ABBA - ring rhyme, within a quatrain, the first and last lines rhyme with each other, as well as the second and third.
In addition, patterns are often found in songs XAXA, AXXA and AAXA.
An example of a quatrain with the XAXA scheme. For those who are looking for an answer to the question of how to write lyrics for a song, but do not have enough experience in this, it is useful to write down the schemes used and come up with words by holding them in front of you.
Most likely, these will be the standard schemes given above, but based on them, you can come up with more interesting options. If you often write quatrains, try to get out of your comfort zone and increase the number of lines to six. If all lines rhyme in quatrains, then it might be worth adding at least one non-rhyming line. For example, 9 did this0005 Adele to "Hello":
Hello from the outside (A)
At least I can say that I've tried (A) 9005 sorry for breaking your heart (B)
But it don't matter; it clearly doesn't tear you apart (B) anymore
Nothing is perfect
Where musical theater lyrics are as much a part of the story as the screenplay, contemporary song classics often favor authenticity and colloquial realism over use so-called "ideal" rhymes. Modern writers strive to keep the lyrics simple and natural, so use the full range of rhymes and vocabulary available to you.
You don't have to take everything literally: it's not about making all your rhymes perfect, but about you were not afraid to use any, even the simplest rhymes, if it is justified.
The spectrum of rhymes can be conditionally divided into 5 types:
- Ideal rhymes — words end in the same vowels or consonants: love — carrot, fat — cat;
- Exact - consonants or vowels in words are the same, which makes rhymes and words sound very similar: breathes - hears, white - ride;
- Approximate, inaccurate - there are no letter matches or they are not exact, the words are more similar in their sound, not spelling: towards - cutting, way - paid;
- Assonances - any consonants in a word that match vowels: blow - throat;
- Consonances - any vowels in the word that sound the same consonants: hand - end;
In fact, there are many more types of rhymes, but in most texts, the authors resort to using precisely these varieties (for more information about the types of rhymes, you can read here).
Bite that tattoo on your shoulder
Pull the sheets right off the corner
Of the mattress that you stole
From your roommate back in Boulder
We ain' t ever getting older
Rely on the sound
Don't pay attention to how rhymes look on paper - writing lyrics for a song, chasing only the beauty of letter combinations will not work. Play words aloud, sort through matching words and phrases, memorize the result you like. If the rhyme sounds great, be sure to use it.
Having a bunch of great-sounding rhymes on hand will make it easier for you to write the lyrics for the next song. It is enough to put together the found rhymes, arrange them in lines and put meaning into it in order to get a decent and memorable text.
As an example, consider Oscar Hammerstein II 's lyrics to 's "Oh, What a Beautiful Morning" . Line "The corn is as hight as an elephant's eye" fit perfectly into the lyrics and was remembered by millions of listeners. The trick is that this line was not invented by Hammerstein - the idiom about corn at the height of the eyes of an elephant existed long before the appearance of the song itself, Hammerstein simply appreciated the rhyme and found it a great use.
Another vivid example of how rhymes look bad on paper but fit perfectly on music is the legendary "Smells Like Teen Spirit":
A mulatto
An Albino
A Mosquito
My Libido
In these lines there is not much meaning in these lines, but in the song context they sound excellent.
At the same time, Cobain did not invent them on purpose, but simply put together a few words from the magazine that he read while writing the text.
Tags: NirvanaAdelKurt CobainAdvice for Beginning Musicians
10 Lyric Writing Tips
In this article, I will share with you some eclectic tips that work for me. I hope you find them useful, but I also suggest breaking some of them and experimenting to get a better idea of their importance. So, the most important rule is #1.
1. The best way to get a good idea is to have lots of ideas.
Need a lot of ideas. When you're trying to be creative, there's no such thing as a bad idea. Put your mental filters away until you finish your lyrics and make your first demo of the song. Realize that most of your favorite bands tend to write about 100 songs, but only 10 make it to the album. That means 90% of the songs they write and demo for will never be recorded properly.
For example, Prince used to record a demo album every two weeks. Before you release a new album, you have to write a lot and choose the best.
2. Get into the habit of recording demos
Make recording demos a habit. Do this as often as possible. Personally, I use special applications in my smartphone and my own laptop for this. Create demos according to the developed method easily and quickly. Improvise with the equipment at hand. Indeed, to record a demo, you do not need new exclusive equipment at all.
Get used to recording demo vocals. In many ways, vocals are the song: they hold the melody and the lyrics. It's normal that you feel shy about recording vocals, even in your own bedroom. But the more you do it, the easier it becomes. Just press the record button and sing along, even if the song is not completely finished and you are not sure if the idea is good. After listening to yourself, you will understand how the song is perceived by the listeners.
Include it also with your group members, relatives and friends. And only then will you know if the demo is good or bad.
Another piece of advice. I keep all my demos. Thanks to this, I can see the number of songs recorded and track my improvement. I don't have any reason to delete these songs because they take up a small amount of my computer's memory space in MP3 format. It also helps me get old ideas out of my head and focus on finding new ones.
3. Write down lyrical ideas as soon as they come up
Choose a convenient method for writing down a lyric idea as soon as it pops into your head. A lyrical idea can be a phrase, a sentence, a rhyme, or just a word that you think sounds great. Anthony Kiedis of RCHP does this with his notebook. I use a text file on my phone. It is very important that you do not wait until you return home and completely forget about the idea that has arisen. Record here and now.
In this case, the “do not delete” rule also applies.
Your opinion of your own ideas is not constant, and changes over time. A song that seemed perfect yesterday may seem rubbish today. But in the future, when you sit down to write again, you will be in despair that you cannot remember this idea. Just keep everything. I often catch myself that the ideas recorded 1-2 years ago end up using for a new song. Use your magic text file for inspiration: when you're stuck on an idea and want to add some originality to your song, just read it. It helps a lot. This is how great songs are written.
4. Try unusual rhyme schemes
My songwriting has the advantage of using unusual rhyme schemes and structures. Internal rhymes (for example, in the spring under the moon) will make your text more cohesive and musical. Polysyllabic rhymes will add clarity and interest to an acoustic guitar solo.
If you're feeling confident, try deviating from the simple AABB and ABAB rhyming patterns. For example, try ABBB ACCC.
It is more difficult to use such a scheme, but the text material becomes fresher, and the song, thanks to the hidden rhymes, acquires continuity.
5. Try to avoid obvious rhymes
Obvious rhymes (like blood love) are rhymes that appear in countless songs. They can make a song boring and sticky. I abused these rhymes during my first years of songwriting. And even "Fuel" - my favorite Metallica song - contains these rhymes.
One effective way is to use obvious rhymes in a different way. Here you will need an online rhyming dictionary, of which there are many today. The main thing is not to overuse it, because it can make your songs boring and insipid, or drive you into a rhyming corner that you can't get out of.
Sometimes, after writing the first verse of a song, creating the second verse can be overwhelming. To overcome creative block, try adding part of the first verse to the second verse. This is much better than if you came up with a new but empty verse.
6. Nonsensical lyrics work
Some musicians build their careers on nonsensical songs. By meaningless, we mean texts that include associations, puns, or just words and phrases that sound great. When listening to such lyrics, people react to it as an emotional trigger. Songs with meaningless or incomprehensible content allow the audience to find metaphors and impose their own emotions on them. Also, nonsensical lyrics are creatively liberating, allowing you to add originality and quirkiness to your songs, and help you write better overall.
7. Use unrhymed text sparingly!
This is a bit of a moot point, but I don't agree with the notion in some circles that using non-rhyming verses makes a song more artistic and deep. Very often - this is a kind of crutch for a poorly written song. Using an unrhymed line is useful if you want to sharpen the attention of the listeners at a certain point.
But the abuse of unrhymed lyrics makes the song harsh, meandering and pointless.
If you don't want to rhyme, there are a few tricks you can try. Half-rhymes and words that sound phonetically similar can also work. This is because when you sing, you vocalize the words, which makes the rhyme less important. In addition, your accent and pronunciation also affect the perception of rhyme. For example, there is a YouTube video where Eminem talks about words that rhyme with orange. Check it out. The ability to write rhyming lyrics is an important part of the success of your songs. You might start off as blatant thrash, but in the future the rhymes will become more subtle and make your songs stand out..
8. Don't be afraid to break grammar to create a line that fits the right number of syllables
This is the moment when you are very happy with the written line, but when you sing it, something gets in the way. I often hear it in pop songs on the radio.
It's a real mystery to me why great artists needlessly squeeze in syllables that stall the whole song when it can be easily fixed. To get around the grammatical “stones”, just remove the words that have no meaning (for example, “and”, “too”, etc.), or rearrange them. You can also change the stress in the words according to the tone of the melody. Lyrics can work well in a song even if their grammar is imperfect. If the lyrics fit well with the melody, it increases its emotional impact and makes the song more enjoyable for the listener. Grammar can be sacrificed to achieve this goal.
9. Swearing is a sign of a musical “semi-finished product”
Sometimes this happens to me: a great idea for a melody comes up, but the only lyrics I can come up with are curses. This may be a sign that the song is not yet fully completed. Subconsciously, you fill in all the holes with swear words to keep the rhythm. Often, months later, you come up with very good alternative lyrics that fit the same tune.
